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ALBUM REVIEWS

Bassekou Kouyate & Ngoni Ba: Ba Power

Read "Ba Power" reviewed by James Nadal

African music is on an unprecedented upward spiral in terms of popularity and global recognition. Each country within Africa is subdivided into local provinces and territories, each with their own cultural traits and traditions. Mali, of course is no exception and has been in the forefront of this musical revival. Bassekou Kouyaté is a prominent representative of Malian music, due in part to his association and recordings with premier musicians as Ali Farka Touré, and popular rock and world artists, ...

LIVE REVIEWS

Bassekou Kouyate / Tamikrest / Sidi Toure: London, January 26, 2013

Read "Bassekou Kouyate / Tamikrest / Sidi Toure: London, January 26, 2013" reviewed by Chris May

Bassekou Kouyate / Tamikrest / Sidi ToureBarbicanLondonJanuary 26, 2013Ten days earlier, the vibe at this Malian package show--billed as Sahara Soul--would likely have been jumpy rather than joyful. The northern half of Mali seemed secure in the hands of Islamist invaders, who were intent on destroying the region's indigenous music and culture and poised to move south and take the Malian capital, Bamako.But, on January 26, 2013, the mood onstage at the Barbican ...

AFRICAN JAZZ

Bassekou Kouyate & Ngoni Ba: Jama Ko

Read "Bassekou Kouyate & Ngoni Ba: Jama Ko" reviewed by Chris May

Bassekou Kouyate & Ngoni BaJama KoOut/Here2013Malian ngoni player Bassekou Kouyate and his band, Ngoni Ba's third album continues the increasingly outward-looking trajectory of its predecessors. The debut, the lovely Segu Blue (Out/Here, 2007), was unadorned roots music. Its follow-up, the more visceral I Speak Fula (Out/Here, 2010), wove amplification into what was still basically an acoustic sound and, on two tracks, featured Vieux Farka Toure, son of Ali Farka Toure, on electric ...


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