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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Espen Eriksen Trio: End Of Summer

Read "End Of Summer" reviewed by Gareth Thompson

Any album recorded during the lockdown of 2020 will doubtless be scrutinised for cryptic references. As such, End Of Summer as a title might hint at something deeper (or darker) than mere seasonal flux. But amidst so much global turmoil, the Espen Eriksen Trio has held its nerve and created another poignant opus. Tranquility at the centre of chaos. As a Nordic pianist with a keen awareness of folk ballads and lullabies, Eriksen brings an innocent guile to ...

ALBUM REVIEW

Espen Eriksen Trio with Andy Sheppard: Perfectly Unhappy

Read "Perfectly Unhappy" reviewed by John Eyles

The Norwegian Espen Eriksen Trio was formed in 2007 and its personnel has remained unchanged ever since, across three previous album releases on Rune Grammofon. Such stability has allowed pianist Espen Eriksen, bassist Lars Tormod Jenset and drummer Andreas Bye to bond together and develop the particular chemistry that a successful trio needs, without having to resort to gimmicks or trickery to get their music noticed. Primarily based upon Eriksen's own compositions, that music has a rich sense of melody ...

ALBUM REVIEW

Espen Eriksen Trio With Andy Sheppard: Perfectly Unhappy

Read "Perfectly Unhappy" reviewed by Gareth Thompson

Primo Levi wrote that perfect happiness and perfect unhappiness are both beyond reach. For this he blamed our human condition, which is opposed to everything infinite. Maybe this album's title is also a comment on our hope and despair through life's journey. Not within the realm of Levi's suffering, of course, but in our common role as sentient beings. Those of us for whom music is a great solace should thus revere the union of Espen Eriksen and ...

ALBUM REVIEW

Espen Eriksen Trio: You Had Me At Goodbye

Read "You Had Me At Goodbye" reviewed by John Kelman

When Rune Grammofon released In the Country's outstanding 2005 debut, This Was the Pace of My Heartbeat, it was promoted as the Norwegian label's “first jazz record." Still, that piano trio's eminently beautiful music retained the skewed edges so definitive of the label, while subsequent releases, including 2009's ambitious Whiteout, have aligned even more closely with Rune's experimental, forward-looking aesthetic. With You Had Me At Goodbye, Norwegian pianist Espen Eriksen and his trio further mine a new tradition forged, in ...


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