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Jazz Articles about Plunge

6
Album Review

Plunge: In For The Out

Read "In For The Out" reviewed by Dave Wayne


Trombonist Mark McGrain is one of those guys who follows his own muse. Though he's not particularly prolific, each of his albums as a leader feature some truly profound music-making. In for the Out is no exception. On his fourth album as a leader, McGrain has re-invented himself, playing with an expanded New Orleans-based group and with a completely revamped sound. Tin Fish Tango (Immersion Media, 2011) and Dancing on Thin Ice (Immersion Media, 2009), also recorded in New Orleans ...

Album Review

Plunge: IN For The OUT

Read "IN For The OUT" reviewed by Angelo Leonardi


A capo del gruppo Plunge, il trombonista Mark McGrain è uno dei protagonisti del jazz a New Orleans nel decennio post Katrina. Dopo il debutto nel 1995 (Falling with Grace, Accurate Records) in un organico comprendete Bob Moses alla batteria, Avishai Cohen al contrabbasso e Marcus Rojas alla tuba, il trombonista ha ricostituito il gruppo qualche anno fa con il sassofonista Tim Green e il bassista James Singleton presentando l'acclamato Dancing On Thin Ice (Immersion Records, 2009).

332
Album Review

Plunge: Tin Fish Tango

Read "Tin Fish Tango" reviewed by Dan McClenaghan


Plunge is a drummer-less trio, featuring leader/trombonist Mark McGrain teamed with bassist James Singleton. The “no drums" approach allows flexibility in the music's time element, and a fluidity of the flow of notes, while horns and bass make room for space as a major component of the sound.The slippery tango of the title track to Plunge's third CD, Tin Fish Tango, opens the disc, featuring brief, concise soloing, entwined with jaunty bass lines. McGrain and saxophonist Tim Green ...

298
Album Review

Plunge: Dancing on Thin Ice

Read "Dancing on Thin Ice" reviewed by Raul d'Gama Rose


There is a plangorous significance to Dancing on Thin Ice. Built on the symbolic thin ice of New Orleans' ecology, it depicts a city that has bounced back from Katrina but only just. It also tells a broader allegorical tale about the planet's teeter-tottering cultural ecology--hence the cover silhouettes of a mastodon and hammerhead shark, representing the strength of all that lives on earth and in the depths of the ocean, and all that makes jazz strong, pliant and enduring. ...


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