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Jean Toussaint: Live At The Jazz Cafe 091218

Read "Live At The Jazz Cafe 091218" reviewed by Chris May

Most times, the transatlantic flow of jazz musicians is from east to west. Less frequently, as with Jean Toussaint's relocation from New York to London, it is contrariwise. Hot from four years as a member of Art Blakey & The Jazz Messengers's Jazz Messengers, Toussaint arrived in Britain in 1987. He soon established himself as a bandleader, and also as teacher. One of his first pupils was Ingrid Laubrock. In 2008, Laubrock made the reverse journey, setting up home in ...

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Jean Toussaint Allstar 6tet: Brother Raymond

Read "Brother Raymond" reviewed by Roger Farbey

Jean Toussaint, a graduate of Berklee College of Music and an alumnus of Art Blakey's Jazz Messengers has assembled a veritable all-star cast for his follow-up to Tate Song (Lyte Records, 2014). Even more remarkable is the permutation of personnel, which, other than Toussaint himself, changes on most tracks, affording a different perspective to the selections. The boisterous opener “Amabo (I Shall Love)" is a keenly-swinging number which betrays some Caribbean / Latin-esque influences. There are some great ...

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Jean Toussaint: Tate Song

Read "Tate Song" reviewed by Ian Patterson

Ten albums in twenty five years isn't prolific but in a world awash with inferior music saxophonist Jean Toussaint's unhurried approach has consistently produced high-quality recordings that stand the test of time. What's more, the lapses between releases make each production a bona fide event. Certainly, the four years since his live album and the nine since his previous studio effort, Continuum Act One (Space Time, 2005) have created an expectation around Tate Song, and true to form, Toussaint delivers ...

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Jean Toussaint's Nazaire: The Street Above the Underground

Read "The Street Above the Underground" reviewed by Ronan Abayawickrema

With The Street Above the Underground London-based saxophonist Jean Toussaint seems to be seeking to emulate T.S.Monk’s recent success in fusing jazz with smooth sounds and pop elements and coming up with something that sounds nothing like Kenny G. Like Monk’s excellent 1999 release Crosstalk, Toussaint’s music has an urbane, polished feel, but has far too much bite to be described as ‘smooth jazz’. Indeed, while Monk updated his sextet’s sound with electronic drums and the occasional synthesizer wash, and ...


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