All About Jazz

Home » Articles | Reviews Only

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

Articles | Featured | Future

CD/LP/TRACK REVIEW

Hashem Assadullahi: Pieces

Read "Pieces" reviewed by

Saxophonist Hashem Assadullahi and his core band returned to the studio to release an exceptionally strong sophomore effort with Pieces. The Texas born-Northwest cured-New York-based musician revealed his penchant for melody on his prior release Strange Neighbor (8bells, 2009). Here he builds upon that foundation with a scattering of themes from pop tunes, avant-garde leanings, and some deftly orchestrated group improvisations. Assadullahi's returning partners here are guitarist Justin Morell and trumpeter Ron Miles, who yearly receives the “artist ...

CD/LP/TRACK REVIEW

The Hashem Assadullahi Quintet: Strange Neighbor

Read "Strange Neighbor" reviewed by

Oregon-based musician and educator Hashem Assadullahi introduces a wealth of attention-grabbing points of view into this quintet date, featuring eminent trumpeter Ron Miles. It's a democratic, group-focused modus operandi, spinning with variable harmonic and rhythmic underpinnings, where Assadullahi is more concerned with compositional depth and use of space. Still, the soloists receive ample breathing room to improvise and engage in thematic expansion.

On “Hypothesis B--The Wildflower," the quintet merges a sense of quietude via Justin Morell's simple guitar ...