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Reuben Wilson’s blues band settles in nice and cozy. It’s a celebration! Nods to Jimmy Smith and Jack McDuff fit appropriately into a session of traditional good time blues. Melvin Butler lends a soulful persona that stands patiently in the shadow of the late Eddie Harris. Grant Green, Jr. and leader Reuben Wilson recall the great organ-guitar combinations jazz has espoused. Bernard Purdie drives the band with seasoned veteran chops.
Wilson’s career began 40 years ago in Los Angeles, playing the Hammond B-3 organ in straight-ahead jazz and blues venues. Tuesday nights at the Intermission Room held fast as his steady gig. The organist moved to New York and worked through the late ‘60s with mainstream artists such as Grant Green, Roy Haynes and Willis “Gatortail” Jackson. As a soul-jazz pioneer, Wilson evolved. His discography never strayed too far from the blues. When Us3, Tribe Called Qwest and Nas sampled Wilson’s recordings, it brought about significant changes in the jazz world. Acid jazz has grown steadily for the past 13 years. The music has grown in many directions, but the roots are always there – jazz and blues roots.
Tellin’ stories, Wilson’s quartet takes this session slow and hot. Saxophone, organ and guitar take turns with the interpretation. Like cocoa butter on a burn, their cohesive session serves to assuage. Highly recommended, Wilson’s session brings timeless reminders to the party for everyone to share.
Track Listing: Blues for McDuff; Please Send Me Someone To Love; Old Time Shuffle Blues; Back at the Chicken Shack; Honey Dripper; After Hours; Willow Weep For Me; Nobody Knows You (When You're Down & Out).
Personnel: Reuben Wilson- organ; Grant Green, Jr.- guitar; Melvin Butler- tenor saxophone; Bernard Purdie- drums.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.