San Francisco-area vocalist Barbara Adamson's approach to jazz is straightforward and straight-ahead. Her debut recording, Now Is the Time , is a relaxed, confident effort that demonstrates the (too-often overlooked) value of restraint and moderation in jazz singing.
Relying on a clear, expressive voice and dramatic reading of lyrics, Adamson, backed by a fine trio (plus occasional sax, trumpet and flute), puts her personal stamp on a dozen nicely arranged standards. She's equally at ease on ballads and up-tempo numbers, and proves herself a capable scatter on a worldless romp through Miles Davis' "Boplicity." And while we've all heard the likes of "April in Paris," "Bye Bye Blackbird," "You Go to My Head," and "Softly in a Morning Sunrise," many times before, Adamson, makes this familiar journey a worthwhile one. A promising debut from a singer who knows that, more often than not, less is more.
Barbara Adamson, vocals; Marshall Otwell, piano; Stan Poplin, bass; Steve Robertson; drums; Fred Berry, trumpet; Paul Contos, flute; Donny McCaslin, tenor sax.
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
Login to your All About Jazz member account to submit articles and press releases, upload images, edit musician profiles, add events and business listings, communicate with other members via personal messages, submit inqueries or contribute any content.