Emanuel Ruffler keeps extremely talented company on Nightflight, the first album as leader for this German-born pianist who is now based in New York. The 11 self-penned tunes are characterized by an apparent simplicity and a propulsive rhythm, creating an immediately appealing recording.
Despite his role as leader and composer Ruffler is a relatively low key presence on the album. His piano playing has style but he is well aware of the talents of his band members and gives them plenty of opportunity to shine. Gene Jackson is an emphatic presencethe drummer is hugely talented and his powerhouse playing drives almost every one of these compositions. Jackson and percussionist Kahlil Kwame Bell create irresistible beats across the album's tunes. The horn section has a pleasantly soft edge to its playing, which acts as a counterpoint to the harder, brighter, feel of Jackson and Bell's work. Tenor saxophonist John Ellis, who plays on four tunes, is especially noteworthy on "Something for my Wedding."
Opening tune "Cheerful" kicks off the album by being exactly what it saysit's a bright, percussion-led, tune with a Latin feel that features a confident solo from Ruffler. "Pretty" is actually extremely prettya delightful tune that seems destined to become a movie theme. The band eases back for this composition, enabling Ruffler's delicate piano to come to the fore over a simple theme played by the horns. Closing tune "The Metropolis" finds the bass of Nic Thys acting as the core of the tune, enabling Jackson and Bell to create some complex rhythm patterns over which the horns, minus saxophones, play with a brighter than usual sound.
Overall Nightflight is an atmospheric album. Ruffler has composed a set of tunes that have an almost cinematic quality to them and the talented musicians bring them to life admirablybased on this debut, Ruffler's future development looks highly promising.
Track Listing: Cheerful; Nightflight; Experience; Fourth Ward; Something for my Wedding; A la Joe; Cold/Warm; Inflections; Rocket; Pretty; The Metropolis.
Personnel: Emanuel Ruffler: piano; Duane Eubanks: trumpet; Michel Gentile: flugelhorn; Ulrich Wangenheim: bass clarinet; Nic Thys: bass; Gene Jackson: drums; Kahlil Kwame Bell: percussion; Vitaly Golovnev: trumpet (4,5,7,8); J D Allen: tenor sax (3,9,10); John Ellis: tenor sax (4,5,7,8); Mike Sim: tenor sax (1); Chris Higgins: bass (4,5,7,8).
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St. Needless to say, Jazz and Blues were always on the stereo in our home. I was steeped in these exciting sounds, and they make up some of my earliest memories.