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One Track Mind: Gary Moore "Enough of the Blues" (2001)
Source:
Something Else!
By PicoThere's plenty of blues rock guitar gunslingers out there who only understand the blues as filtered by the likes of Eric Clapton and Jimmy Page. Irish six string specialist Gary Moore has gone much further back than those guys to get his knowledge of the blues form, and it comes out on his highly amplified Les Paul or Gibson ES335 every time. The guy who legitimately should wear Rory Gallagher's crown as the Emerald Isle's foremost guitar ...
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Lin Halliday - Where or when (Delmark)
Source:
Master of a Small House
Here's an old favorite that I didn't even realize was in need of re-pressing prior to receiving the promo. Saxophonist Lin Halliday is in certain senses the Herbert Huncke of jazz, a hard luck magnet and itinerant who could bring sporadic savant-like genius to his art. Numerous are the tales of Halliday's self-sabotaging ways, his brushes with fame, and his dogged dedication to jazz. This date comes from the middle of his Delmark renaissance when a shot at 11th hour ...
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Von Freeman - Vonski Speaks (Nessa)
Source:
Master of a Small House
"Did you have your Wheaties?" So inquires tenor saxophonist Von Freeman of his drummer Michael Raynor in the playful spoken preamble to the concert on Vonski Speaks. Freeman's been figuratively eating that Breakfast of Champions for years, erasing any adverse assumptions about his octogenarian age with an improvisational acumen and stamina that's indicates only minimal signs of erosion. The music on this set dates from around the same time he signed on with the Chicago-based Premonition label, an association that ...
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Byard Lancaster - Personal Testimony (Porter)
Source:
Master of a Small House
Originally circulated on Byard Lancaster's Concert Artists label in an extremely finite pressing, this 1979 solo manifesto is among the rarer Philly 'free jazz' artifacts. Filing it under that loose genre heading feels slightly suspect as jazz is only one of the stylistic kegs tapped in its creation. Lancaster folds in African, Asian and Native American elements as well as healthy of blues and soul. The Porter records reissue adds six tracks to the original vinyl nine, the new pieces ...
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Phil Minton - No Doughnuts in Hand (Emanem)
Source:
Master of a Small House
Phil Minton's music practically mandates first person response. Burying the I" in a review is a hard thing to do from the onset. Reaction to his work is frequently polemical with one person's vocal abuses occupying the same aural space as another's expansions. Minton doesn't appear to be especially bothered either way by potential controversy. His laconic liner notes on this third entry in his solo series endearingly lay out his up-to-the-minute reasoning: I know things aren't getting better, but ...
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Trio X - Air: Above and Beyond (Cimpol)
Source:
Master of a Small House
The X" can now do double duty as a Roman numeral in reflecting this improvising trio's decade together as a unit. On this latest offering, they cop a page from the Vandermark playbook: Four out of the seven pieces carry dedications to fellow musicians. The extended opener Fried Grapefruit" celebrates Henry Threadgill, starting as a porous chamber music dialogue between drums and bass. The mood turns heated with the entry of McPhee's tenor (fitted with a bass clarinet reed), but ...
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Scott Fields Freetet - Bitter Love Songs (Clean Feed)
Source:
Master of a Small House
Mordant wit and caustic self-deprecation have always been reliable elements in Scott Fields' creative expression. From the pithy brickbats of semi-fictional critic Hugh Jarrid to the admirable, if puzzling, practice of publishing pans right alongside praises on his website, the guitarist has never shied away presenting the whole package of his persona, prickly pear portions and all. Even by Fields' archly candid standards this new Clean Feed outing stands out. His liners read as a suite-like screed, pillorying a succession ...
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John McNeil - East Coast Cool (Omnitone)
Source:
Master of a Small House
Temperature tags have long since fallen out of fashion as codifiers for coastal jazz differences. But damn if trumpeter John McNeil hasn't struck pay dirt, intended incongruities aside, with East Coast Cool, his third outing for Omnitone. The primary source of inspiration for the project lies in the corpus of the classic pianoless Gerry Mulligan and Chet Baker quartet. McNeil's resume even includes an early career stint in Mulligan's employ along with apprenticeships with Horace Silver and the Thad Jones/Mel ...
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