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Prog Legends Gentle Giant To Release First 4 Albums On Vinyl April 3, 2020
Source:
Glass Onyon PR - Keith James
Gentle Giant is happy to announce the release of the first four albums on vinyl April 3rd. After the positive response to the box set Unburied Treasure many fans asked whether the vinyl albums would ever be available. The band has responded and decided to make these albums officially available for the first time in decades. The band’s first album Gentle Giant was first released in October 1970. Produced by Tony Visconti it marks the 50th Anniversary of the recording ...
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Naama Gheber Offers Highly Personal Take On The Great American Songbook On "Dearly Beloved," Her Debut Album, Set For April 10 Release
Source:
Terri Hinte Publicity
Noted vocalist Naama Gheber makes her auspicious, radiant recording debut with Dearly Beloved, to be released April 10 on Cellar Music Records, preceded by the release of two singles—the title track on February 14 and “So in Love” March 13. The New York-based singer (by way of Beér Sheva, Israel), who first turned heads during her yearlong residency at Manhattan’s Mezzrow Jazz Club, engages the superb trio that has long supported her at that residency (pianist Ray Gallon, bassist David ...
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The Complete Woody Herman Decca, Mars and MGM Sessions (1943-1954)
Source:
Rifftides by Doug Ramsey
The Complete Woody Herman Decca, Mars and MGM Sessions (1943-1954) (Mosaic) Woody Herman and his band were most closely associated with the Columbia and Capitol labels, but in the 1940s and ’50s the clarinetist, saxophonist and influential leader also recorded for the companies you see named in the headline above. The Mosaic label has issued a seven-album set of Herman’s recordings for those labels. The collection seems certain to get the attention not only of Herman fans but also of ...
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Stanley Turrentine: Look Out!
Source:
JazzWax by Marc Myers
Stanley Turrentine was a more sizable force on the tenor saxophone than many jazz fans realize. His tone on the instrument was big and broad, his attack was powerful and his soulful feel was largely unmatched. There was a bluesy brashness and satiny swagger to Turrentine's sound, and his peel out" just before launching into a solo was always exhilarating. And yet, he's not taken as seriously as, say, Hank Mobley or Joe Henderson. His first leadership album for Blue ...
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Roberto Magris And Two Good Czechs
Source:
Rifftides by Doug Ramsey
An Italian of Slovenian ancestry who grew up in Trieste, pianist Roberto Magris frequently tours in Europe with colleagues from a variety of European nations. He also works in in the United States, where he operates the record label called JMood. Here, we see and hear Magris a few weeks ago in the Birdland Jazz Club in Neuburg a.d. Donau, Germany. With him are the formidable bassist Frantisek Uhlir and drummer Jaromir Helesic, mainstays of modern jazz in the Czech ...
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Chet Baker + Caterina Valente
Source:
JazzWax by Marc Myers
As the summer of 1955 began to dissolve into pre-autumn, Chet Baker made plans to head off to Europe to perform with a new rhythm section: Dick Twardzik (p), Jimmy Bond (b) and Peter Littman (d). Their first stop was in the Netherlands in mid-September followed by Germany and France. But a month into the tour, Twardzik died of a heroin overdose in Paris at age 24. Baker continued on, employing local pianists along the way. He also became friendly ...
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Recent Listening: Lyn Stanley Revisits Julie London
Source:
Rifftides by Doug Ramsey
Los Angeles singer Lyn Stanley frequently appears in L.A. with a big band of Swing Era veterans. However, in the recording we are sampling today, her accompanists are six of Southern California’s busiest veteran players of modern jazz. Called for this album, the Jazz Mavericks, they are guitarist John Chiodoni, pianists Otmaro Ruiz and Mike Lang, bassist Chuck Berghofer and drummer Aaron Serfaty, with Luis Conte on additional percussion. The album follows Stanley’s earlier tribute to singer Julie London on ...
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Joe Pass: Tudo Bem!
Source:
JazzWax by Marc Myers
In the winter of 1977, guitarist Joe Pass toured Brazil for the first time. When he returned to the U.S., he found himself energized by the understated and sensual samba and bossa nova. Though the bossa nova had been influencing American popular music since the early 1960s, Pass had avoided recording an entire album of Brazilian compositions as a leader. As a sideman, he was on Bud Shank's Brazil! Brazil! Brazil! in 1966 and there were Antonio Carlos Jobim originals ...
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