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Yazz Ahmed

Yazz Ahmed is a British-Bahraini trumpet player and composer who seeks to blur the lines between jazz, electronic sound design, bringing together the sounds of her mixed heritage. Her music has been described as ‘psychedelic Arabic jazz, intoxicating and compelling’.

In recent years she has led her various ensembles in concerts around the UK and abroad, including performances in New York, Toronto, Kuwait, Algiers, Berlin, Köln, Paris, Istanbul, Tunis and Amsterdam, and at major festivals such as WOMAD, Molde Jazz, Pori Jazz and Love Supreme.

Yazz has also recorded and performed with Radiohead, Lee Scratch Perry, Nile Rodgers, ABC, Swing Out Sister, Joan as Police Woman, Tarek Yamani, Amel Zen and toured the world with These New Puritans. She recently appeared as a guest soloist/composer with Arturo O’Farrill’s Afro Latin Jazz Orchestra.

In 2012, Yazz represented Bahrain in London’s Cultural Olympiad, joining renowned musicians from the Arabian Gulf in collaboration with Transglobal Underground. This project, In Transit, was supported by the British Council and was performed in Dubai and London.

Yazz was awarded a jazz fellowship from Birmingham Jazzlines in 2014, who supported her during the course of a year in writing a major new suite, Alhaan al Siduri, premiered in October 2015 at the CBSO Centre, Birmingham. One year later the second performance marked Yazz’s debut in her paternal homeland at the Bahrain International Music Festival.

In 2015, Tomorrow’s Warriors commissioned Yazz, with support from PRS Women Make Music, to write a suite inspired by courageous and influential women. Polyhymnia was premiered at the Purcell Room by a special all-female ensemble at the WOW! Festival in March 2015.

During her year as an LSO Soundhub composer in 2016, Yazz explored writing music for her newly developed quarter-tone flugelhorn, a unique instrument which enables her to get closer to the spiritual nature of the ‘blue notes’ in Arabic music.

2017 saw the release of her second album, La Saboteuse, on Naim Records. The album made a global impact, gaining multiple rave reviews and making many ‘best of 2017’ lists around the world, including Jazz Album of the Year in The Wire magazine and achieving the number 18 spot in Bandcamp’s top 100 albums (all genres). “..this is enchanting, late night music that floats on the liminal space between dreams and reality. And for sheer, unconquered beauty, there are few albums of any genre that reach these heady heights. Ahmed, in diving deep within herself, comes back up for air with a mysterious, wondrous artifact humming in her hands,” the2010s.net

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