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Roger Blank
Blank's grandfather played saxophone and his father William Blank was a trumpeter who had performed with Cootie Williams. Blank worked with Hank Mobley in Harlem for several years and studied under Charlie Persip. He worked with Sun Ra starting in 1964 and recorded several times with him. He worked extensively on the New York jazz scene in the 1960s and 1970s; he played with and was influenced by Ornette Coleman, and helped found a group called the Melodic Art-Tet in 1971 which was devoted to playing in Coleman's harmolodic style. This group also included Charles Brackeen, Ahmed Abdullah, William Parker, and Ronnie Boykins. Other associations included work with Bill Barron, Don Cherry, John Coltrane, Dennis Charles, Walt Dickerson, Kenny Dorham, Frank Foster, Charles Greenlee, John Hicks, Ken McIntyre, Pharoah Sanders, Archie Shepp, and Charles Tolliver. Blank appeared on the piece "Hambone" with Shepp on the 1965 live album The New Wave in Jazz. He relocated to Atlanta in the 1980s and led an ensemble there, but moved back to New York in the 1990s, where he lived in the Williamsburg neighborhood.
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Sun Ra Arkestra: Heliocentric Worlds 1 & 2 Revisited
by Chris May
Heliocentric Worlds 1 & 2 Revisited presents in their entirety, newly and luminously remastered, the two albums which on release by ESP Disk in 1965 led, if not to actual commercial breakthrough for Sun Rawho had been recording, obscurely, under his own name since the late 1940sthen at least to a heightened level of visibility for him and his music in the burgeoning transatlantic counterculture. Ra was no more an acid-tripping psych bandleader than was Frank Zappa; both musicians were ...
read morePharoah Sanders: Tauhid
by Chris May
Conventional wisdom has it that saxophonist Pharoah Sanders' signature, late-1960s astral jazz recording is The Creator Has A Master Plan" from Karma (Impulse!, 1969). But conventional wisdom is rarely to be trusted. Clocking in at an unhurried and mesmerising 32:45, Master Plan" is certainly definitive Sanders of the time; yet Upper Egypt And Lower Egypt," from Sanders' own-name Impulse! debut, Tauhid, recorded in November, 1966, is arguably the finest statement in his astral oeuvre.At a relatively brief 16:16, ...
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