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Rob Clearfield

Hailing from Oak Park, IL, pianist, guitarist, composer and improviser Rob Clearfield grew up steeped in music. After a childhood filled with garage bands, gospel choirs, South American guitar ensembles, and everything in between, Rob moved to Chicago to study at the Chicago College of Performing Arts at Roosevelt University. During and after college, he embedded himself in the local music scene, residing in the city for fifteen years.

Over the course of his career, Rob has had the privilege of performing with artists such as John Wetton, Patricia Barber, Howard Levy, Makaya McCraven, Marquis Hill, Eighth Blackbird, Fareed Haque, Isaiah Sharkey, Adam Larson, and Greg Ward, among others. He was a founding member of the prog-rock group District 97 and the indie rock band Hood Smoke, and is the regular pianist with bassist Matt Ulery, trumpeter Itamar Borochov, and vocalist Grazyna Auguscik.

To date, Rob has released six recordings of his original music. He made his bandleading debut and his first two albums with the jazz-meets-indie-rock band Information Superhighway. After the Superhighway disbanded in 2011, Rob chose to focus his bandleading and composing on instrumental music, which yielded the albums The Long and Short of It (2013) and Islands (2016). Along the way, Rob also recorded and released two albums of (mostly) improvised solo piano music: A Thousand Words (2010) and Wherever You’re Starting From”(2018). For his next album, Rob is at work on a co-led project with New York-based saxophonist and composer Caroline Davis.

In addition to his work as a bandleader, Rob has received multiple commissions to compose on a larger scale. Since 2007, he has scored theater productions for Purdue University, a collaboration that is still ongoing. From 2008-2012, he was commissioned annually to compose a song cycle for the experimental church Grace Commons in Chicago. In 2013, he scored the short film The Lost Remake of Beau Geste. 2019 saw Rob Clearfield’s orchestral debut, composing a set of pieces for string orchestra with jazz quartet, commissioned and premiered by the Brazos Valley Symphony Orchestra in College Station, TX.

As his career continues to take him to new places, Rob has had the opportunity to connect with students all over the world. He has given masterclasses and clinics at the Conservatorio Nacional de Música (Mexico City, Mexico), the American Jazz Museum (Kansas City, MO), Bydgoszcz Conservatory of Music (Bydgoszcz, Poland), and the University of North Texas (Denton, TX). He has served on faculty at the Keith Hall Summer Drum Intensive at Western Michigan University (Kalamazoo, MI) and has been part of the ensemble-in-residence at the Guimarães Jazz Festival (Guimarães, Portugal), working with students from Escola Superior de Música e Artes do Espetáculo (Porto, Portugal)

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10
Album Review

Itamar Borochov: Arba

Read "Arba" reviewed by Jerome Wilson


Trumpeter Itamar Borochov is originally from the Middle East but is part of the New York jazz scene. He plays a quarter-tone trumpet which helps bring an unusual expressiveness and calm to his sound, This is well-suited to the music he plays which is steeped in the chords and scales of the Mediterranean area where he grew up. Tracks such as “Abraham" and “What Broke You?" spotlight the ethereal beauty of Borochev's sound as he broods over Rob ...

4
Album Review

Rob Clearfield and Quin Kirchner: Concentric Orbits

Read "Concentric Orbits" reviewed by Troy Dostert


Listeners familiar with the current Chicago jazz scene will need no introduction to pianist Rob Clearfield and drummer Quin Kirchner. Both have been intrinsic to others' projects over the years, such as Matt Ulery's Delicate Charms (Woolgathering, 2019) and Greg Ward's High Alert (Sugah Hoof, 2020), but their most prominent partnership to date is probably Kirchner's own The Shadows and the Light (Astral Spirits, 2020), an absorbing double album with infectious grooves galore, many of which were anchored by Clearfield's ...

15
Album Review

Joshua Jern Jazz Orchestra: Lockdown

Read "Lockdown" reviewed by Jack Bowers


After taking a pleasant and romantic Midnight Stroll in 2019, trumpeter/composer Joshua Jern's Chicago-based Jazz Orchestra (like almost everyone else) began a coronavirus-decreed Lockdown but has emerged two years later from that self-imposed hiatus swinging harder and more often than ever. As before, most compositions and all arrangements are by Jern; and as before, the orchestra performs them with ardor and panache. This time around, however, there is a formidable new “weapon" on two tracks ("A Stretch ...

Album Review

Caroline Davis & Rob Clearfield PERSONA: Anthem

Read "Anthem" reviewed by Neri Pollastri


Disco di jazz moderno composto tutto da originali, con l'esclusione di “Miss Ann," omaggio a Eric Dolphy, Anthem ruota attorno alle personalità dei due leader, la sassofonista Caroline Davis e il pianista Rob Clearfield. Entrambi non ancora quarantenni, i due non sono ancora artisti di primissimo piano, ma hanno alle spalle diversi album a proprio nome e vantano collaborazioni interessanti: la Davis era ospite nell'ultimo disco pubblicato da Lee Konitz prima della scomparsa, Old Song New; Clearfield lo abbiamo apprezzato ...

6
Album Review

Chad McCullough: Forward

Read "Forward" reviewed by Paul Rauch


Trumpeter Chad McCullough has an identifiable sound—his striking, bold tonality, and his penchant for stark contrasts compositionally. His previous four releases on Origin Records, featured artists encountered during his tenure in the Pacific Northwest. His association with drummer and Origin founder, John Bishop, resulted in the formation of his quartet with Belgian pianist Bram Weijters. In two releases, Urban Nightingale (Origin, 2011), and Imaginary Sketches (Origin, 2011) he established a cerebral, pastoral sound of intriguing melodies presented in storyline fashion. ...

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Album Review

Chad McCullough: Forward

Read "Forward" reviewed by Dan McClenaghan


Since his excellent recording debut under his own name, 2009's Dark Wood, Dark Water (Origin Records), trumpeter Chad McCullough has co-led a handful of forward-leaning discs with Belgian pianist Bram Weijters and one with Slovakian pianist Michal Vanoucek, in addition his work as sideman and his contributions to a few leaderless ensemble sets. Forward is just his second outing with his name on the album cover as the sole leader. His is a consistently strong catalog, but McCullough ...

2
Album Review

Matt Ulery: Delicate Charms

Read "Delicate Charms" reviewed by Neri Pollastri


Nuovo album del contrabbassista chicagoano Matt Ulery, che riunisce in quintetto alcuni suoi frequenti collaboratori per realizzare un lavoro di brillante e articolato jazz moderno. La formazione vede il leader affiancato dal pianista Rob Clearfield e dal batterista Quin Kirchner, mentre la front line è composta dal sax contralto di Greg Ward e dal violino di Zach Brock, che con Ulery ha recentemente pubblicato l'ottimo Wonderment. L'ora abbondante di musica, tutta del contrabbassista, si suddivide in sette brani ...

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Recording

Review: Meet Rob Clearfield

Review: Meet Rob Clearfield

Source: Rifftides by Doug Ramsey

Rob Clearfield, Islands (ears & eyes records) Pianist and composer Rob Clearfield is a member of Chicago’s under-30 jazz community,admired for work as a sideman with bassist Matt Ulery and pianist-singer Patricia Barber, among others. He debuts as a leader with a trio album due out June 3 that is peaceful, almost placid—except for the moments when Clearfield’s energy and unconventional harmonic content combine to create force fields that can take a listener by surprise. It happens in his first ...

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Concerts

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Music

Recordings: As Leader | As Sideperson

Arba

Greenleaf Music
2023

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Concentric Orbits

Astral Spirits
2022

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In These Times

International Anthem Recording Company
2022

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Lockdown

Self Produced
2021

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The Shadows and The...

Astral Spirits
2020

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Golden Daffodil

Woolgathering
2020

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