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Steve Allee: Naptown Sound

by Steve Allee
Submitted on behalf of Kyle Long, Producer/Host at WFYI in Indianapolis.If you ask the average music fan to name the greatest jazz cities in America, it's unlikely that Indianapolis would top their list. That's a shame, as those familiar with the city's history know better. They see the unique fingerprints of Indianapolis musicians across the broad timeline of jazz. In all fairness, Indianapolis, or Naptown as we locals affectionately call it, doesn't have the unrivaled depth ...
Continue ReadingBrent Laidler: Hidden Gems

by Jack Bowers
The Hidden Gems alluded to by guitarist Brent Laidler on his third recording as leader comprise unique and seductive melodies and chord changes he uncovered while taking time during the Covid pandemic to skim through and sight-read some 14,000 tunes in 'fake books' and on his laptop computer, most of which never made it past that platform, even though many were written by well-known jazz artists. In his sortie, Laidler writes that he began to come across ...
Continue ReadingBrent Laidler: Hidden Gems

by Patrick Burnette
Guitarist Brent Laidler has released mainstream jazz albums infused with a cheerful attitude throughout his career. They tend to feature all original tunes, but unlike most jazz releases featuring (cursed with?) the All-Original Syndrome, his tunes are catchy, accessible, and sometimes even mood-enhancing. Given that hundreds--if not thousands--of small group jazz albums are released each year, it can be challenging to find a distinctive feature to hang onto when confronted with a new one. Laidler is canny enough to realize ...
Continue ReadingBuselli / Wallarab Jazz Orchestra: The Gennett Suite

by Dan McClenaghan
This is where music for mass consumption--recorded music--started, in Richmond, Indiana, in the 1920s, in a piano factory by the railroad tracks in a glacier-carved gorge. Established in 1887, in the beginning Starr Pianos' bread and butter was pianos, but they branched out to selling other instruments and eventually photographs and records--their own records, recorded in the piano factory, taking breaks in the process when a train came by. At first, they called their recording side of the business Starr ...
Continue ReadingBrent Laidler: Wouldn't Be Here Without You

by Richard J Salvucci
Stan Getz once said of the best bossa players that they could swing hard without appearing to try. It is also obvious that one of the few good things to come out of the Covid pandemic has been music intended to calm things down a bit. For example, John Pizzarelli's Better Days Ahead(Ghostlight Records, 2021), but there are others as well. If you take swing" and calm" and combine them, you end up with Brent Laidler's enjoyable and melliflous recording. ...
Continue ReadingBrent Laidler: Wouldn't Be Here Without You

by Patrick Burnette
As we slip deeper into the twenty-first century, jazz is a very broad church indeed, an umbrella term referring to dozens of sub-genres and styles. Even with all those tags and labels at our disposal, however, sometimes an album can be a little hard to pigeonhole. Guitarist/arranger/composer Brent Laidler's latest album, Wouldn't Be Here Without You, seems simple enough to categorize at first: it is straight-ahead, small combo mainstream jazz, right? But listen a while and you'll discover that the ...
Continue ReadingBrent Laidler: Wouldn't Be Here Without You

by Jack Bowers
Although mostly unnamed, those honored on Indiana-based guitarist Brent Laidler's Wouldn't Be Here Without You are friends, mentors and fellow musicians who have offered encouragement and support on his spiritual and musical journey through life, several of whom comprise the sextet on Laidler's second album as leader. Besides playing guitar (and repairing them by day), Laidler wrote and arranged all of the album's ten numbers, which are rhythmically strong and melodically pleasing. Some are vaguely reminiscent of ...
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Dippermouth Blues
From: The Gennett SuiteBy Ned Boyd