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Pete Magadini
Formal education includes: degrees from both the San Francisco Conservatory of Music (bm) and the University of Toronto (mm) Private teachers include: – drummers Don Bothwell (Phx.) Roy Burns (NYC) Timpanists, Roland Kohloff (San Francisco Conservatory) John Wyre (University of Toronto) and North Indian tabla master Mahapurush Misra. …And of equal importance > many nights, playing clubs in five major cities.
…”I started playing professionally as a country drummer”.
The author of five books including: “Polyrhythms The Musicians Guide” (voted #6 in Modern Drummer Magazine’s survey of the top”25″ drum books”) plus the beginning book to advanced book: “All-in- One Learn to Play the Drumset” (vol.I became a top selling drum method for over two decades) Inclusive to playing drums and writing methods the main focus on the Chicago move will be on the teaching of serious drummers and percussionists (all ages and levels) with the only requirement being on the one word “serious”.
News of past students: Some have gone on to receive national and international recognition for their work both in the US,Canada and Internationally while others have to passed auditions and have been accepted into schools like: Berklee School of Music (Boston) California Institute of the Arts (Los Angeles) University of Southern California (Los Angeles) University California (LaJolla) University of North Texas (Denton) McGill and Concordia Universities (Canada) and Mills College (Oakland, California)
Formal teaching appointments include: the Dave Brubeck Institute (University of the Pacific) The California Jazz Conservatory (Berkeley, Ca.) Concordia University, McGill University (Montreal) The Professional Drum Shop (Los Angeles) and The San Francisco Conservatory of Music (San Francisco)
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Pete Magadini: Bones Blues
by Hrayr Attarian
The Canadian label Sackville is known for its unique catalogue of superb Avant-Garde music and engaging trad-jazz recordings. So its 1976 Bones Blues is a bit of an anomaly as it documents a modern mainstream session that drummer Pete Magadini led and featured California based saxophonist Don Menza. Five standards and two originals comprise the delightful and lively program that is, nevertheless, safely bop-based. Menza penned the soulful title track that has a loose and infectious swing to ...
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JazzWax by Marc Myers
The 1970s were a no-man's land for acoustic jazz. The rise of album rock, arena concerts and electronic instruments led to the growing popularity of psychedelic jazz-rock fusion and funk, especially on college campuses. Many jazz labels during this period tended to put much of their budgets behind the new forms, since they commanded the largest slice of sales. The siphoning of budgets and staff to the electric side meant that many acoustic jazz recordings tended to be rambling, boring ...
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