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Stella Bass

Stella studied music from a young age, starting piano accordion lessons at five, followed later by singing and piano, both through the Royal Irish Academy of Music. A degree in Computer Science from University College Dublin followed, and in 2017 she completed a Master’s Degree in Music in Dublin’s Conservatory of Music. She used the unexpected downtime of the pandemic to build on her undergrad IT skills to study Music Production with Berklee College, Boston, and Music Composition & Arranging with Studio Orchestrations, Belfast, which has led her into the fascinating world of writing, arranging and producing sync music for TV, film and gaming; she has already had several albums of her original instrumental music signed exclusively to Warner Chappell Production Music in Nashville.

That said, her heart will always be, first and foremost, as a singer, story-teller and concert performer. Alongside her studies, many years of singing in musicals, concerts and as bandleader at the bandstand helped Stella finely-tune her craft, and her versatile repertoire crosses over jazz, light classical and musical theatre.

Stella’s recent studio album, the 2025 Grammy longlisted “Look for the Silver Lining”, is a collaboration with the acclaimed Johnny Taylor Trio, featuring a mix of jazz standards and some new songs written by Stella. Since releasing her first album in 2014, she has performed at all the major jazz festivals in Ireland – including a headline performance at Cork Jazz Festival 2024, as well as performances in Pizza Express London Pheasantry and jazz venues in Germany, France and Australia. She has devised several concert programmes including, “Stella Sings Ella”, a tribute to Ella Fitzgerald,  as well an exploration of jazz-inspired interpretations of the music Stephen Sondheim, alongside collaborator Cian Boylan. Both of these shows have toured the island of Ireland with the support of the both Arts Councils on the island, while the Ella show most recently (November 2024) returned to a sold-out lunchtime audience @ NCH.

No stranger to the art of the big band, Stella sings with the Hot House Big Band for their monthly residency in Dublin, has recorded with the Dublin City Jazz Orchestra, and she leads her own quartet with whom she tours and performs her own much-loved weekly jazz residency show.

She has also branched out into radio broadcasting, having presented and produced a music show on Dublin City FM for over 3 years, and has also been a presenter on Ireland’s beloved Christmas FM.

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7
Album Review

Stella Bass: Look For The Silver Lining

Read "Look For The Silver Lining" reviewed by Ian Patterson


It is an enviable trait to always look for the silver lining in troubled times. For Dublin vocalist Stella Bass, when gigs dried up during the Covid pandemic, the silver lining was the gift of time. She did not waste it, studying music production with Berklee College, Boston, and music composition & arranging with Studio Orchestrations, Belfast. The seeds planted, work duly followed, with writing, arranging and syncing music for TV, film and gaming. She also decided that it was ...

11
Album Review

Stella Bass: Too Darn Hot

Read "Too Darn Hot" reviewed by Ian Patterson


Singer Stella Bass is a stalwart of Dublin's live music scene, leading small jazz ensembles and collaborating with the HotHouse Big Band and the Dublin City Jazz Orchestra. Bass's debut jazz recording follows Smoke and Sound (Self Produced 2010), her cabaret tribute to Kurt Weil, Bertold Brech, Marlene Dietrich et al. In the main, Too Darn Hot sees Bass mine the jazz standards of the 1930s and 1940s, repertoire she's polished every Sunday for years in Dublin's chic Cafe en ...

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“…it would be hard to pick out Bass' originals from those by Stephen Sondheim, Jerome Kern, Irving Berlin et al. She should not wait for the next pandemic before reaching for pen and blank paper.” - All About Jazz (UK), Feb 2024

“Every now and again an album appears as if from nowhere that immediately you get, and more importantly gets you.” - Jazz Views (UK), Feb 2024

“A great sense of clarity in her enunciation and a relaxed sense of timing.” - Jazz Weekly (USA), Jan 2024

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Diana Krall
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