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Charity Chan
A unique voice in the world of contemporary and free improvisation, Charity’s music draws from a wide-array of sonic practices as part of her creative inspiration and development. Furthermore, her compositions and improvisations are strongly rooted in the immediacy of physical gesture and the importance of collaborative communication.
While her creative work is primarily in contemporary improvised music, she has also worked and studied extensively in the classical and contemporary classical idioms. This was particularly the case during her course of studies at McGill University, Mills College and Princeton University. She has played with musicians from a wide array of backgrounds, including jazz, pop-rock and electroacoustic. Her performances on piano and accordion have led her to collaborations with a number of international and nationally acclaimed musicians, including : Fred Frith, Jean Derome, Lori Freedman, Joëlle Léandre, Lukas Ligeti, DiDi Kern, Ragga Gisla, Bill Nace, Frank Gratkowski, Pauline Oliveros, Nicolas Caloia, Roscoe Mitchell, Peter Evans, Weasel Walter, Josh Sinton, Pascal Niggenkemper and Tom Blancarte. Her performances on piano and accordion have led her to collaborations with various international musicians, including: Fred Frith, Jean Derome, Joane Hétu, Lori Freedman, Joëlle Léandre, Roscoe Mitchell, Damon Smith, Peter Evans, Tom Blancarte, and Weasel Walter.
Over the last several years, her music has appeared on a variety of labels, including Innova Records, Mills College Records, Tzadik, Carrier Records, and Ambiances Magnétiques.
More recently, as the subject of a recent series of video works by Sylvia Safdie, Charity's music and peformances have been exhibited at Les Flaneries Musicales de Reims.