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Jeff Colella
Jeff’s most recent recording is a collaboration with the veteran bassist Putter Smith that will be released in early 2013. He has two other releases as leader, “Alone Together” and “Letting Go,” both trio recordings and both on Sea Breeze Records.
His music has been recorded by several artists, most recently by the noted saxophonist Bob Sheppard, who recorded two of Jeff’s compositions on his latest CD “Close Your Eyes”, released on BFM Records. Jeff’s work as arranger/pianist can be heard on the Summit Records CD “Lost In The Stars” by vocalist Deborah Shulman and trombonist Larry Zalkind, released in April 2012.
Jeff toured with the late, legendary Lou Rawls as his pianist and conductor for nearly sixteen years until his untimely passing in 2006. He appeared with Rawls at jazz festivals, clubs, and with orchestras throughout the U.S. and abroad. In addition to his work with Lou Rawls, the list of artists that Jeff has performed and recorded with over the years is extensive. Jeff toured worldwide for seven years with the Jazz Tap Ensemble, and also served as Musical Director for another of our legendary singers, Jack Jones. He has worked with Diane Schuur, Gregory Hines, Savion Glover, Morgana King, Sheila Jordan, Kenny Washington, Brian Stokes Mitchell, Peter Gallagher, the Bill Holman Big Band, Stacey Rowles, Larry Koonse, Bobby Shew, Bob Sheppard, Judy Wexler, Denise Donatelli, Julie Kelly, Catte Adams, the Mike Barrone Big Band, Janice Mann, Anita O’Day, John Vance, Lorenzo Lamas, Frank Potenza, Greg Poree, John Pagano, Paulette McWilliams and Miki Howard to name just a few.
In addition to his professional schedule, Jeff is currently on the faculty at the Musicians Institute in Hollywood.
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Mark Masters Ensemble: Sam Rivers 100

by Dan McClenaghan
The Mark Masters Ensemble released Porgy and Bess Redefined! (Capri Records) in 2005. The music was taken from the George Gershwin/DuBose Heyward English-language opera, which was first performed in 1935. Masters' take on the classic was brilliantly expressed by the ensemble, who dug into his adventurous charts with freedom mixed with respect for the familiar and often-covered (most notably by the Miles Davis/Gil Evans teaming) original. It was a breakout effort for Masters. Billy Harper was there on tenor sax, ...
Continue ReadingMark Masters: Sam Rivers 100

by Jack Bowers
Sam Rivers 100 is the first of two homages recorded in 2023-24 by arranger Mark Masters and his blue chip southern California-based ensemble. This one pays tribute to the music of the late saxophonist Sam Rivers on the hundredth anniversary of his birth; the second, Dance, Eternal Spirits, Dance! salutes the music of tenor saxophonist Billy Harper who is the ensemble's guest soloist on both albums. Rivers, who died in December 2011, was an early bebopper who ...
Continue ReadingMark Masters Ensemble: Sui Generis

by Angelo Leonardi
Dopo aver creato nell'ultimo album nuovi arrangiamenti per i classici ellingtoniani dei primi anni quaranta (Masters & Baron Meet Blanton & Webster, Capri Records), il notevole orchestratore californiano riduce l'organico e presenta un repertorio tutto suo. Dalla precedente incisione resta solo il trombettista Tim Hagans che ha il ruolo di principale solista. Il titolo del disco usa un'espressione latina ancora in uso nella lingua italiana, che Masters riferisce ad Hagans, sottolineando quell'unicità artistica che apprezza da cinquant'anni, quando ...
Continue ReadingJudy Wexler: No Wonder

by Pierre Giroux
Judy Wexler's release No Wonder is a portrait in vocal jazz artistry, underscored by thoughtful arrangements from pianist and arranger Jeff Colella and a luminous supporting cast of Los Angeles A-list musicians including multi-instrumentalists Danny Janklow, and Bob Sheppard, trumpeter Jay Jennings guitarist Larry Koonse, bassist Gabe Davis and drummer Steve Hass. The twelve-tune track list is a refreshingly curated program of standards that steer away from the overly familiar, instead embracing the hipper" corners of the ...
Continue ReadingJudy Wexler: No Wonder

by Dan Bilawsky
Judy Wexler imbues every song she touches with a sense of realism, wonder and depth that's ever so rare. An inimitable artist, this celebrated singer adds volumes to each story she encounters, be it a post-millennial jazz tune, '60s counterculture anthem, glimmering Brazilian jewel or any number of other finds. In the case of No Wonder--Wexler's seventh album, arriving two decades after her debut--she demonstrates her gifts with a marked emphasis on standards. Longtime collaborator/pianist Jeff Colella's ...
Continue ReadingMark Masters Ensemble: Sui Generis

by Pierre Giroux
Sui Generis by the Mark Masters Ensemble featuring trumpeter Tim Hagans is an inventive addition to the world of contemporary jazz. Known for his deft compositions and dynamic arrangements, Mark Masters delivers a collection of nine original compositions, each of which embodies the spirit of spontaneity. Joining Masters in this session are a group of musicians known for their high bar of musicianship, including alto saxophonist Nicole McCabe, tenor and soprano saxophonist Jerry Pinter, trombonist Dave Woodley, French hornist John ...
Continue ReadingThe Scott Whitfield Jazz Orchestra West: Postcards from Hollywood

by Jack Bowers
While many people have been excited or enraptured by the music scores accompanying Hollywood's most beloved films, few know (or perhaps even care) who wrote them. That's a shame, as these composers (and their contemporaries) were musical trailblazers whose names should be enshrined forever in the annals of artistic brilliance. One who does care is composer/arranger Scott Whitfield who has dedicated the latest album by his Jazz Orchestra West, Postcards from Hollywood, to their remarkable (and too-often overlooked) legacy.
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Music
Downstairs Blues Upstairs
From: Sam Rivers 100By Jeff Colella
Your Heart Is As Black As Night
From: SignatureBy Jeff Colella