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Adam Schroeder
Baritone saxophonist Adam Schroeder is the first call for a growing multitude of musical contexts. He has firmly established his influential voice as a major force within the global jazz community being recognized as a “Rising Star” on the Baritone Saxophone in Down Beat Magazine’s 59th, 63rd, 64th, 65th, 66th, 67th, 70th, 71st and 72nd Annual Critic’s Poll as well as in the 76th, 79th, 80th, 82nd and 84th Annual Reader’s Poll and the JazzEd Magazine 2014 Readers Poll. Schroeder is known equally for his hard-driving muscular swing, ferocious be-bopping, meticulous musicianship and leadership as well as his exquisite sound. His style has been described as possessing soul a la Carney, intricate lines like those of Chaloff and Adams, the in-the-pocket swing of Mulligan and the hard-driving take-no-prisoners approach of Smulyan. This description of Schroeder’s approach is a concise ‘short list’ of the baritone saxophone lineage where Schroeder’s name has now been cemented for, he is truly a master of the most unwieldy of traditional jazz instruments. Recently John Beasley’s MONK’estra, one of the many large ensembles Adam is a core and featured member of, was up for their 7th and 8th Grammy nominations. These nominations resulted in a 2021 Grammy Win for this ensemble. Since Schroeder’s appointment at the University of Nevada Las Vegas, he has contributed to 11 Grammy nominated projects.
Schroeder’s third release as a leader, “CT! Adam Schroeder & Mark Masters celebrate Clark Terry,” (CAPRI 2024) continues to gain critical acclaim around the globe staying on the JazzWeek Radio Chart for 22 straight weeks. It was also just recognized as one of the “Top 100 Releases for 2024” on the JazzWeek Radio Chart. His debut release, “A Handful of Stars,”(CAPRI 2010) reached #10 on the JazzWeek Radio Chart and was also recognized as one of the “Top 100 Releases for 2010.” “Let’s,” (CAPRI 2014) his second release as a leader was recognized by the JazzWeek National Jazz Radio Chart as one of the “Top 100 Releases for 2014.”
Born in 1978 and growing up in Sioux City, Iowa, Adam began his musical studies on alto saxophone while in grade school. After an introduction to Charlie Parker in 1992, Schroeder’s musical interest became fixed solely within the jazz idiom where between his junior and senior years, he discovered his saxophonistic voice switching from the alto over to the baritone. Later that same year, Adam was asked to fill the baritone saxophone chair in the college big band at Clark Terry’s International Institute of Jazz Studies. The acceptance of this position sparked a relationship with the famed trumpeter, which lead to a multitude of musical opportunities shared between them for many years.
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Mark Masters Ensemble: Dance, Eternal Spirits, Dance!

by Jack Bowers
In 2023-24, the celebrated arranger Mark Masters led his superb southern California-based ensemble into studios to record a pair of tribute albums. The first, Sam Rivers 100, was dedicated to the music of the late saxophonist on the one hundredth anniversary of his birth; the second, Dance, Eternal Spirits, Dance!, to that of another renowned saxophonist, Billy Harper, who is not only very much alive at age eighty-two but serves as guest soloist on both recordings. Unlike ...
Continue ReadingAdam Schroeder & Mark Masters celebrate Clark Terry: CT!

by Pierre Giroux
In jazz, where the past intertwines with the present and the future, few figures were as influential as the legendary trumpeter Clark Terry. During his playing career, he developed a creative, bouncy style with an irrepressible rhythmic verve that was entirely his own. The album CT! with baritone saxophonist Adam Schroeder and arranger Mark Masters serves as a heartfelt homage to this jazz icon, presenting fresh and invigorating arrangements of 13 Clark Terry originals skillfully performed by a 12-piece ensemble. ...
Continue ReadingJack Jones Featuring Joey DeFrancesco: ArtWork

by Nicholas F. Mondello
"Those who know, know" happens to be a soon-to-be-overused phrase to describe the hip, the In," and the very elite of aware." Now in his Mid-80s, Jack Jones has maintained a stellar, cross-media career, all on a foundation of a once-in-a-lifetime voice. Mel Torme, one not easily prone to hyperbole, called Jones, the best pure singer in the business." Torme and others in the Vocal Pantheon knew. With ArtWork, Jones joins forces with the late multi-instrumentalist and ...
Continue ReadingJack Jones Featuring Joey DeFrancesco: ArtWork

by Jack Bowers
If a singer's reputation is so impressive that he or she is able to enlist a full orchestra (with bassist John Clayton conducting) and the late organ maestro Joey DeFrancesco as featured soloist, that is certainly enough to warrant attention. The singer in this instance is two-time Grammy winner Jack Jones, the orchestra an assemblage of some of the Los Angeles area's finest musicians, enlarged by a thirty-member string section. On one hand, Jones remains a smooth ...
Continue ReadingBrian Eisenberg Jazz Orchestra: Pain & Beauty

by Edward Blanco
A religious man at heart, composer/band leader and producer Brian Eisenberg leads an 18-piece big band (The Brian Eisenberg Jazz Orchestra) on a personal musical exploration on the meaning of love through the perspective of what may be beautiful, and what may seem hurtful on the very introspective and challenging Pain & Beauty. The album, as he writes, is dedicated to that ideal of genuine love...painful yet, beautiful love." Eisenberg sets the musical bar quite high on such lofty and ...
Continue ReadingDave Slonaker: Convergency

by Richard J Salvucci
In December 1910, Virginia Woolf once observed, human character changed and, along with it, so did everything else. Politics, society, religion, sex, all of it, she thought, would leave the ancien regime behind. And, to a point, she was correct. Within a few years, the old world was gone, swept away by war and revolution. It was not coming back. Ever. Somehow, listening to the marvelous musical products of modern big bands, Woolf seems oddly relevant. The level ...
Continue ReadingDave Slonaker Big Band: Convergency

by Jack Bowers
While big-band albums generally differ, sometimes widely, in tone and temperament, there are definitive criteria by which every one may be evaluated--arrangements, performers, sound quality, sequencing and, above all, the elusive but imperative swing quotient. Dave Slonaker checks all those boxes and more on Convergency, a superlative successor to his excellent Grammy-nominated debut album, Intrada, released in 2013. To begin with, Slonaker, best known as a film and television composer, is an excellent big-band writer and arranger, ...
Continue ReadingSchroeder & Masters Celebrate Clark Terry

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JazzWax by Marc Myers
Clark Terry was many things. He was a superb trumpeter and flugelhornist, he was an elegant gentleman, he was a mentor to many musicians and he was as comfortable in a big band as he was in a small group. Clark was also an excellent composer, as baritone saxophonist Adam Schroeder and arranger Mark Masters know well. The pair have just released CT!: Adam Schroeder & Mark Masters Celebrate Clark Terry (Capri), the finest album I've heard this year, and ...
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“…an improvisational mother load of lyrical fun.” “Schroeder is a brilliant technician but most importantly he has the artistic soul of a giant that allows free reign of lyrical intent.” “One of the finest instrumentalists I have heard…”
Brent Black, criticaljazz.com
Primary Instrument
Saxophone, baritone
Location
Las Vegas
Photos
Music
Was It Here...Is It There?
From: Dance, Eternal Spirits, Dance!By Adam Schroeder
Serenade to a Bus Seat
From: CT!By Adam Schroeder
Convergency
From: ConvergencyBy Adam Schroeder
A Hawkeye, A Hoosier, & Two Cali Cats
From: Let'sBy Adam Schroeder