Updated: April 19, 2025
Marianne Osiel can be heard on hundreds of recordings. During the years she was with the symphony, she also lead her own blues-pop band, the “Delta Elements”. Additionally, she has performed as a “sideman” for other artists, including John Hall (Orleans), Jo-el Sonnier, Ashley Cleveland, Rachel Sage, and others, with slide guitar, voice and oboe. She has written and recorded string quartet arrangements for songwriters who recognize her ability to weave in and out of a lyric, most notably on David Olney’s “Through A Glass Darkly” CD (1997).Less
Marianne’s own recordings as singer-songwriter-arranger include “Strange Girl”, and “Full of Wholes I and II”. A later recording, “How The Light Gets In”, features Marianne on oboe and English horn in improvised duets with four dynamically different keyboardists from the New York area (Jordan Rudess, Denman Maroney, John Simon, and Bob Barrows), as well as two live albums. Marianne was invited to become part of the “Creative Improvisers Orchestra” (now in Kingston) in 2023 by Maestro Karl Berger. She is also excited to be part of the Woodstock Soundpainting group “Audiocanvas” that includes Steve Rust, Rick Warren, and other notable New York improvisors.
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Michael Bisio: NuMBq

by Mark Corroto
Michael Bisio borrows the phrase and now for something completely different" from Monty Python's Flying Circus to describe his new quartet, NuMBq. Joining the bassist is longtime collaborator Jay Rosen on drums, along with two musicians traditionally rooted in classical music: violist Melanie Dyer and English horn player Marianne Osiel. With NuMBq, Bisio blurs the line between chamber music and jazz--but let's not confine this session to the Third Stream category. Early jazz-classical hybrids, such as Charlie Parker ...
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