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Leopoldo F. Fleming
Leopoldo Fleming Afro-Caribbean Jazz Ensemble
Almost till the end Leopoldo was maintaining his exceptional Leopoldo Fleming Afro-Caribbean Jazz Ensemble, which he founded more than 35 years ago, of a special musical concept which included New York and Caribbean Jazz and Latin greats (some of the mainstays since 2008: Karen Joseph, Dinah Vero, Bryce Sebastien/Kim Clarke, Emilio Valdés, on-and-off Freddie Harris III).
Since July 2016 Leopoldo also had a special set-up of this ensemble in Copenhagen, including Danish and Danish-Cuban Jazz and Latin greats (Ben Besiakov, Kaare Munkholm/Morten Grønvad, Yassér Morejon Pino, Jonas Johansen).
About Leopoldo F. Fleming
As percussionist, composer, arranger, lyricist, band leader, Leopoldo was a great personality with a rich and multicolored palette, inspiration from his Latin-Afro-Indian roots, his childhood in Puerto Rico and St. Thomas, decades as highly active in the jazz and beyond music scene of New York, and his international experience collaborating and touring all over Europe, Africa, South America, the Caribbean, Asia, Australia, New Zealand, with US, Caribbean, and African stars.
Mainly a jazz musician, Leopoldo was well versed in several genres - jazz, funk, R&B, Caribbean, Cuban, Brazilian, African, gospel and spirituals. He was a brilliant accompanist, a fascinating soloist, had a special melodic gift in his playing, and his performances sparkled with surprises, sophistication, grace, and exquisite timing.
Throughout his entire career Leopoldo had constantly developed, explored, and pursued new ideas and inspiration, maintaining his reputation as a world-class performer, never compromising on the authenticity of rhythms and styles according to his genuine deep knowledge and feeling.
At each of the Leopoldo Fleming Afro-Caribbean Jazz Ensemble's performances at venues and festivals, this band truly enthused with intriguing rhythms and beautiful tunes (standards and originals), played with warm and deep artistic intensity, among other as a recurring event at the annual Staten Island Jazz Festival.
For decades since its inception by music director Linda Twine, and until 2013, Leopoldo was a mainstay with The New York Harlem Singers, touring in the Far East each December. Also as a continual tradition for decades, each winter Leopoldo worked with Sandy Robbins and her The Shadow Box Theater in New York.
Since 2007 he was a member of the all-stars Lou Caputo Not So Big Band until sadly Lou Caputo left this world in 2022. He appeared on two albums with the band.
Leopoldo has played, recorded and toured with a cornucopia of great artists such as Miriam Makeba for a number of years since 1965, Nina Simone off and on, as he put it, for 31 years, in 2008, -09 and -10 followed by Sing The Truth tours (a tribute to Nina Simone including original NS band members Al Schackman, Chris White, Paul Robinson and himself + on piano Geri Allen/Jeremy Berlin/Bob Dorough respectively, and featuring among others Dianne Reeves, Dee Dee Bridgewater, Patti Austin, Lizz Wright, Angélique Kidjo, Simone Kelly and Stacey Kent, going to Istanbul, 10 countries of Europe, Australia and New Zealand) - and more great artists such as Harry Belafonte, Eartha Kitt, Randy Weston (in big band format and a trio including Ron Carter and Abdul Malik), Sonny Stitt, Archie Shepp, Novella Nelson, Lonnie Liston Smith, Queen Esther Marrow, Leo Wright, Monica Zetterlund, Beaver Harris, Dr. Lonnie Smith, Richard Grove Holmes, Leon Thomas, Bob Cunningham, Kenny Barron, Horace Parlan, David Murray, Lou Caputo, Chris White, Symphony of the New World, The String Reunion, The World Bass Violin Ensemble, Boys' Choir of Harlem and a number of local world class musicians in Vienna, Copenhagen and other places of Europe.
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In the September 2007 issue of the All About Jazz-gazette, the Afro Indian Blues with Jim Pepper, Amina Claudine Myers, Anthony Cox, and Leopoldo Fleming is categorized an Unearthed Gem. Donald Elfman praises Leopoldo for showing true versatility and appealing accessibility. In an AllAboutJazz.com review of the same album, Bill Siegel writes: ...On percussion, Leopoldo Fleming takes a flight with a solo that's absolute, total music - he plays the melody on his drums, not just a riff on the rhythm. You can almost hear the distant echo of Myers' singing below the drums. Don't be fooled towards the end of Fleming's solo