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King Llama
Right out of the starting gate, it’s apparent that the eagerly awaited new King Llama album, fata implexis (translating to “fate intertwined”), is something special, commanding and category-elastic. The fiery and whip smart instrumental band’s tune “Lora Ky” packs an immediate and visceral punch, within its sophisticated changes, spidery guitar riffs, tricky unison lines and mosaic-like structure, built from material conjured up by guitarist-songwriter Ryan T. Bailey. The song serves as a prelude and on-ramp to the electrifying journey unfolding over six tracks—including the multi-sectional 11-minute epic “Sir Isaac.”
What to call this music? Is it prog rock, post-fusion, and earthier variation on math rock, which also manages to be suitable for the jamband universe? Or is it, as the dynamic drummer Luis Briones wonders, something along the lines of “experimental fusion-influenced jamband music? By whatever name or genre identifier, this music makes a bold statement on impact and paves the way for a bright future for this unique band. At the core of the operation is a deep musical connection between guitarist-composer Ryan T. Bailey and Briones, who have tended the King Llama fires for many years and released their debut, Return to Ox in 2016. As with much of the music world, the band’s forward motion was interrupted by the pandemic and the shuttering of live music, which then led to a long process of composing, rethinking and expanding the vision of the band.
Bailey recalls that, at the onset of the COVID lockdown, “people were just focused on their own families and all this other stuff. Once I felt safe enough to at least be able to go to my own studio space, I would be going there every day and every night to compose, just for no reason.” The reason unfolded a few years later, in the form of fata implexis. “It’s a new era for us,” Briones asserts. “We’ve been around for over 12 years, but we’ve evolved. We used to be a little simple trio of more rock stuff and our previous album really was much more bare bones. This new album is more produced, with featured players, multiple guitar lines, some strings and some other things. Things change. But the essence of everything is pretty much the same.”
A critical third party entered the equation on the new album four years ago, when renowned veteran producer Dennis MacKay was connected to Bailey through record exec Michael Caplan. MacKay’s dazzling resume as producer and in-demand engineer includes the seminal Return to Forever classic Romantic Warrior (which helped launch his career), David Bowie, Stanley Clarke (earning him a Grammy in 2011), Al DiMeola, John McLaughlin, Whitney Houston and also the legendary British fusion band Brand X--the initial connection inspiring Brand X fanatic Bailey’s link to the producer.
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Take Five with King Llama

by AAJ Staff
Meet King Llama: Los Angeles-based King Llama has carved a bold lane in the modern jazz-fusion landscape, blending the fire of progressive rock with the soul of improvisation. Founded by guitarist and composer Ryan Tanner Bailey, the band quickly gained attention for its fearless mix of intricate time signatures, fluid guitar textures, and a rhythm section that bridges funk, Latin, and jam-band energy. Alongside drummer Luis Briones, bassist Anthony Crawford, and guitarist Billy Paulsen, King Llama has expanded from a ...
Continue Reading"EXPERIMENTAL FUSION-INFLUENCED JAM BAND MUSIC”
—Joe Woodard
Count Basie
pianoGeorge Benson
guitarBilly Cobham
drumsWolfgang Amadeus Mozart
composer / conductorMusic
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From: Fata ImplexisBy King Llama