During a recording career that spanned nearly half a century, Johnnie Taylor covered more genres of African-American music than any other major artist.Despite Johnnie Taylor's awesome run of hit records, he remains somewhat of an enigma, perhaps the most underrated recording artist of all time. Never-the-less, this singing sensation has been one of the most versatile and durable recording artists of the era. During his career, Taylor scored 11 top 40 hits on the Billboard pop chart. With a career than embraced Gospel, Pop, Blues, Do Wop, Memphis Soul, and even Disco, Taylor proved he could handle any piece of music.
Johnnie Harrison Taylor was born in Crawfordsville, Arkansas on May 5, 1938, and reared in nearby West Memphis. Inspired equally by gospel and blues (the legendary bluesman Junior Parker as his neighbor), Taylor first recorded in the early fifties as part of the Five Echoes, a Do-wop group that had one release on the Chance label in Chicago. However, he didn't receive any real recognition of Somewhere To Lay My Head. Taylor's lead singing was strikingly close to Sam Cooke, so it wasn't surprising that he took Cooke's place in the Soul Stirrers in 1957. During the next two years, Taylor would make a number of fine recordings with that group, but he eventually left to pursue a short career as a preacher.
In the interim, Sam Cooke had formed the Sar label as a sideline to his own successful recording career. Ironically, Cooke recruited Taylor for the label with the intention of making him a Pop / R&B attraction. Taylor would score with Rome Wasn’t Built In A Day in 1962, but his recording career bogged down temporarily when SAR's operations were suspended after the tragic death of Sam Cooke.