Jim White

Biography
Articles

Drummer Jim White is an active performer and educator. His first musical experiences took place in his hometown of Atlanta, Georgia, where he studied percussion with Paul Yancinch, Mike Cebulski, Sonny Emory, and Jeff Sipe. He holds a Master of Arts degree in Jazz Studies/Composition from Middle Tennessee State University, and a Bachelor of Music degree from the University of North Texas. While a student at the University of North Texas, White performed with the renowned “One O’clock Lab Band” for three years. In 1992, Maynard Ferguson recruited White for his “Big Bop Nouveau” band with which he toured internationally. White is featured on Ferguson’s recording, Footpath Cafe. In 1995, White moved to Nashville, Tennessee where he remains active as a performer and studio musician. His versatility a nd unique sound have been featured on many jazz, pop, and country recordings. White’s performance and recording credits feature a diverse array of artists including J.D. Souther, Alison Krauss and Union Station, Crystal Gayle, Jerry Douglas, Curtis Stigers, Charlie Peacock, Jack Pearson, Pam Tillis, Lorrie Morgan, and Willie Nelson. In addition, he has performed with many top jazz artists including Dick Oatts, Terell Stafford, Joey Defrancesco, Pat Bianchi, Greg Gisbert, Jim Ferguson, Chris Potter, Annie Sellick, the North German Radio (N.D.R.) Big Band, and many others. As an educator, White has performed clinics at universities and jazz festivals throughout the country. In 2005, he joined the faculty at the University of Northern Colorado, where he currently serves as Professor of Music, Jazz Studies. He directs UNC’s Lab II Big Band, supervises the jazz combo program, teaches jazz history, as well as applied drum set students. He currently co-leads the Colorado Jazz Orchestra, a big band featuring many of the finest jazz musicians in the Northern Colorado area. Jim White is proud to be an artist/clinician for Yamaha Drums, Sabian/Crescent Cymbals, Remo Drum Heads, Innovative Percussion sticks and mallets, and Humes & Berg Cases.

David Caffey Jazz Orchestra: At the Edge of Spring

Read "At the Edge of Spring" reviewed by Jack Bowers

by Jack Bowers
February 13, 2025

With his album, At the Edge of Spring, composer and arranger David Caffey and his Colorado-based Jazz Orchestra not only defy the widely-held belief that big bands are dead, they emphatically blow that axium out of the water. This is an ensemble with no discernible weaknesses, as proficient and powerful as any that have come before it or are likely to follow. To verify that impression, you need only couple your ears with an open mind. As ...

200

Album Review

Don Aliquo: Jazz Folk

Read "Jazz Folk" reviewed by Budd Kopman

by Budd Kopman
February 28, 2007

Jazz Folk is an homage to jazz musicians (the folks) who put their heart and soul into playing creative music. This straight-ahead record sports four Don Aliquo originals, three pieces from bassist Rufus Reid, and two modern standards. While there is nothing especially new here, and experienced listeners will find no surprises, the individual playing and the group aesthetic is excellent. The musicians obviously know and like each other, and the joy of their playing infuses this ...

172

Album Review

Don Aliquo: Jazz Folk

Read "Jazz Folk" reviewed by Michael P. Gladstone

by Michael P. Gladstone
January 19, 2007

The music on Jazz Folk has nothing whatsoever to do with folk music. Instead, Don Aliquo reports that he aimed to “capture the soul and spirit of folk music." Perhaps the title refers to “jazz people," which would make more sense.

Don Aliquo is a well-respected saxophonist and educator in Nashville and a Director of Studies as well as Associate Professor of saxophone at Middle Tennessee State University. This is his fourth album, and he accurately describes his ...

148

Album Review

Don Aliquo: Jazz Folk

Read "Jazz Folk" reviewed by Dan McClenaghan

by Dan McClenaghan
December 18, 2006

Tenor saxophonist Don Aliquo is based in Nashville, Tennessee, but his sound on Jazz Folk sounds very East Coast mainstream. His smooth, clean tenor tone and seemingly fluid and intricately articulate flow of always surprising ideas brings veteran saxophonist George Coleman to mind, especially the way he makes it sound so easy.Aliquo teams up here with a fine quintet--trumpet and sax with a rhythm section--on a set that sits right in the middle of the bop tradition. His ...

226

Album Review

Mike Pope: The Lay of the Land

Read "The Lay of the Land" reviewed by Alexander M. Stern

by Alexander M. Stern
August 25, 2003

In a year that has already produced a number of excellent recordings, Mike Pope's The Lay of the Land may well be one of the best. It's certainly one of the most exciting new albums this reviewer has heard in a long time. Pope, who excels on both acoustic and electric bass, has surrounded himself with major label talent for this indie label release: both Randy and Michael Brecker make appearances, saxophonist Seamus Blake appears on two tracks; guitarist Mike ...

112

Album Review

Mike Pope: The Lay of the Land

Read "The Lay of the Land" reviewed by Phil DiPietro

by Phil DiPietro
November 15, 2002

Mike Pope plays a mean piano. He's also a noted inventor, designing and building pre-amps for the boutique bass builders Fodera. But really he's a bassist; and not surprisingly, a skilled, er... pontif--icator on both electric and acoustic. He's also a fine mainstream jazz composer and has assembled an all-star cast of musicians here, including heavy hitters the Brecker Brothers, Mike Stern, Joe Locke, Jeff “Tain" Watts and his doubling double John Patitucci to assist in expressing his vision. Bloomdaddy ...