Jack M. Taylor, Jr.

“New Vintage is one of a dwindling number of large jazz ensembles in the Midwest carrying on the noble tradition of solid big band playing – with distinction. The group’s first CD features precision ensemble, fine arrangements and outstanding recording quality. It is recommended, especially to those who enjoy first rate big band music. “ Mike Metheny, Editor JAM magazine. (Kansas City Jazz Ambassadors)

“...the first truly outstanding big band recording of the 21st Century! Expertly arranged, produced, and recorded, “Always And Forever” interprets music from the libraries of Maynard Ferguson, Buddy Rich, Woody Herman, and Ted Heath while also covering such contemporary composers and arrangers as Pat Metheny, Bob Curnow, Sammy Nestico, and Matt Harris. I’ll be listening many more times to this great CD! “ Robert J. Robbins, USA Secretary Big Bands International

Read more

“New Vintage is one of a dwindling number of large jazz ensembles in the Midwest carrying on the noble tradition of solid big band playing – with distinction. The group’s first CD features precision ensemble, fine arrangements and outstanding recording quality. It is recommended, especially to those who enjoy first rate big band music. “ Mike Metheny, Editor JAM magazine. (Kansas City Jazz Ambassadors)

“...the first truly outstanding big band recording of the 21st Century! Expertly arranged, produced, and recorded, “Always And Forever” interprets music from the libraries of Maynard Ferguson, Buddy Rich, Woody Herman, and Ted Heath while also covering such contemporary composers and arrangers as Pat Metheny, Bob Curnow, Sammy Nestico, and Matt Harris. I’ll be listening many more times to this great CD! “ Robert J. Robbins, USA Secretary Big Bands International

“A rich, swinging trove of substance joined with style – commanding one’s imagination to move from brief to long–term interest. The charts and spirited performances on this CD generously reward repeated listening.” Dr. Herb Wong International Association of Jazz Educators Resource Team Member – Radio / Recordings

“...some of the best arrangements available...an excellent bravura set which will delight big band fans. I am astonished at the quality of the playing, the brass section is to die for! 14 tracks, 78+ minutes – you won’t get better ‘bang for your buck’.” John Killoch, “Mainly Big Bands”

The first thought that springs to mind when listening to the derriere-kicking New Vintage Big Band is, "Where have these guys been hiding?" The answer is the greater Kansas City area, where the ensemble has been honing its ample skills since Jack Taylor pieced it together more than nine years ago "to provide an outlet for the performance of modern big-band Jazz." There may be other big bands as good as this one, but the opinion here is that one would be hard-pressed to find any that are better. There are fourteen selections on Always and Forever, which together stretch the playing time of a compact disc to its outer limits (78 minutes-plus), and each one sparkles like an unblemished 24-carat diamond. In short, there's not a weak link in the chain. The band's superior use of dynamics and shadings is especially persuasive, as are the power and precision of its various sections and the unflagging resourcefulness of its soloists. Truly, this is a band that upholds Kansas City's time-honored tradition of producing world-class Jazz, and our hat's off to Taylor and his colleagues for persevering in the face of seemingly overwhelming odds to help keep this indispensable music alive and swinging into the 21st century. While there are muted echoes of Basie, Herman, Kenton, Rich and others along the way, Taylor believes that big-band Jazz is "an exciting and dynamic musical art not limited to musical styles of the past," and the New Vintage Band has used the durable substructure of its predecessors as a platform on which to fashion a musical temperament that is inclusively modern yet always melodic, rhythmic and wholly accessible. The Herman influence is perhaps strongest on Gary Anderson's memorable arrangement of Gabriel Fauré's "Pavane," while memories of Buddy Rich's late-60s juggernaut are enkindled by John LaBarbera's "Best Coast." Pat Metheny, one of KC's best-known sons, is represented by his compositions "Always and Forever" and "(It's Just) Talk," both tastefully arranged by Bob Curnow. Matt Harris wrote and arranged "Mira, Mira" and "M.O.T," while Chris Braymen and Chip McNeill did likewise for the loping "Irrelevant, Incompetent and Immaterial" and the impulsive Latin-flavored closer, "Break the Ice," respectively. The other charts are by Rick Stitzel ("Without a Song"), Johnny Keating ("Autumn Leaves"), Sammy Nestico ("Old Devil Moon"), Tom Kubis ("The 'Bluest' Blues"), Frank Mantooth (the moving and too-seldom-heard "Young and Foolish") and Brad Morey (Gershwin's "Summertime"). The lead trumpets (a four-way split among Brian Bass, Danny O'Brien, Jay Sollenberger and Taylor himself on "Old Devil Moon") are awesome throughout, as is the band's hard-working rhythm section — pianist Dave Baker, bassist Craig Akin and drummer Kelly White. The various soloists are, as we noted earlier in this review, uniformly admirable. As Taylor writes, New Vintage "includes eighteen of the finest musicians Kansas City has to offer" (not all of whom play on every track), and there's no gainsaying that opinion. Should Always and Forever be considered a sure bet for inclusion on anyone's list of the top ten big-band Jazz releases of the year? That's a no-brainer.

Contact:New Vintage Music, P.O. Box 14512, Lenexa, KS 66285?4512. Phone 913?269?6683; e?mail [email protected]; web site, www.bigbandjazz.com

Track Listing: Mira, Mira; Without a Song; Always and Forever; Best Coast; Autumn Leaves; (It?s Just) Talk; Old Devil Moon; M.O.T.; The ?Bluest? Blues; Pavane; Summertime; Irrelevant, Incompetent and Immaterial; Young and Foolish; Break the Ice (78:31).

Personnel: Jack Taylor, leader, trumpet, flugelhorn; Phil Brenner, Bill Crain, Jamie Greene, Paul Nolen, Rich Wheeler, Carl Bender, Nick Crane, Don Hatfield, Josh Sclar, Bryan Wood, Marlin Cooper, Marshall De Muynck, Jim Neiburger, Doug Talley, Randy Woy, reeds; Jeff Hamer, Wes Strowig, Brad Burchstead, Rob Claggett, trombone; Glenn Carpenter, bass trombone; Brian Bass, Chris Leopold, Danny O?Brien, Jeff Smith, Phil Burger, Brian Macdonald, Al Pearson, Bob Harvey, Wes Margeson, Jay Sollenberger, trumpet, flugelhorn; Dave Baker, piano, electric piano, synthesizer; Craig Akin, electric and acoustic bass; Kelly White, drums, percussion.

Record Label: New Vintage Music

Show less