Award-winning guitarist Gene Ess's unique style stems from a multicultural background. Originally from Tokyo, Japan, Gene Ess grew up on a US Air Force Base on Okinawa, where he studied piano while receiving a mix of influences. Gene's early years were filled up with the sounds of classical music, from Beethoven to Chopin, while growing up surrounded by indigenous melodies, and pop and jazz music coming out of American military clubs. All this amounted for an early obsession with music.
Fellow musicians and instructors considered young Gene a prodigy and, by the early age of 14, he was a busy musician, performing all around Okinawa. After graduating high school, Ess left for George Mason University. There, he pursued classical music studies with Andres Segovia's disciple Larry Snitzler, and orchestral composition under Dr. Glenn Smith.
In 1983, after earning an 'Outstanding Performance Award' from Downbeat magazine (for his rendition of Lennox Berkeley's 'Theme and Variations'), Gene received a scholarship to attend the prestigious Berklee College of Music. It is during these years in Boston that jazz influences took a deeper root in Gene's music. While he studied with Jerry Bergonzi and Charlie Banacos, Gene became an avid listener of the jazz masters, and the music of John Coltrane became a focal point of reference in his creative development.
Gene graduated with honors from Berklee in 1990, and moved to New York in 1991. All throughout the early 90's, Gene recorded and toured worldwide with the late drummer Rashied Ali. During the course of these collaborative years, Gene played with Carlos Santana, Ravi Coltrane, Matt Garrison, Lonnie Plaxico, Archie Shepp, and Reggie Workman among others. This joint project with Rashied Ali produced one singular album, 'No One in Particular.'
Soon thereafter, Gene kick-started his own career as band leader, which has produced eight outstanding records that combine Gene's keen ear for musical collaborations and a strong personal point of view. In his initial albums, Gene explored and expanded the possibilities of modern jazz, increasingly featuring original compositions developed for a traditional quintet format (piano, bass, drums, sax and guitar). This period culminated with his 2009 album, 'Modes of Limited Transcendence,' which received great reviews globally, and the prestigious 2010 SESAC Outstanding Jazz Performance Award.
During these years in the New York performing scene (Blue Note, 55Bar, Iridium, ShapeShifter Lab, Red Hook Jazz Festival), Gene shared the stage with jazz luminaries including Dave Liebman, Al Foster, Clark Terry, Slide Hampton, Harvie S, and many others.