Evicshen

Shen's sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Shen’s music floods its location acting as a form of sculpture. Her music features analog modular synthesizers (Flower Electronics), amplified objects, and other self-built electronics. These instruments are designed to electronically reproduce chaotic systems, systems which are highly sensitive to small changes in their initial parameters. The resulting music eschews conventions in harmony and rhythm in favor of extreme textures and gestural tones.

Shen’s live video performances produces visual palimpsests and digital residues. Shen achieves this by using software she has authored in order to generate visuals combining real-time video with found footage thematically linked by sexuality, violence, and art history through a process of exaggeration/effacement.

Shen has performed solo across North America, Japan, Mexico, and Europe as Victoria Shen and Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, and the Sound Laboratory of The Royal Danish Academy Copenhagen DK.

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