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Eddie Reed

In the 1990s, when someone refers to “traditional big band swing,” there is always an implication of the Lawrence Welk variety: music played by old people for old people with slowed tempos, overplayed melodies, stock arrangements, trite solos, and a serious shortage of genuine enthusiasm. The term “swing” has been diluted through the years and has come to mean a variety of things including rhythm and blues, jump blues, be bop, etc. With so much confusion, I suggest you attend Professor Eddie Reed's class in swing. An Eddie Reed Big band performance is a lesson in authenticity, correcting any misconceptions you may have. Originally from Shady Grove Texas, and transplanted to SoCal, Eddie Reed was weaned on musical and performance arts. His father, Clayton Ivey, was a renowned operatic chanteur, and his mother, a dancer. Reed pursued formal study in jazz song and piano and has been singing professionally since he was nine years old. In addition to bandleader duties, Reed is a skilled guitarist, pianist, and clarinetist. Reed, like so many others, was a product of the rockabilly revival. In addition to sharing the stage with such notables as The Blasters, The Paladins, The Red Devils, James Harman, and The Mighty Flyers, he formed his own rockabilly outfit, known as Eddie Reed & The Bluehearts. With the disbanding of the Bluehearts in 1990, Reed served a two-year apprenticeship with the Beverly Hills-based West Side Society Dance Band

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