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5
Album Review

Owen Broder: Hodges: Front and Center: Vol. Two

Read "Hodges: Front and Center: Vol. Two" reviewed by Pierre Giroux


Owen Broder's Hodges : Front and Center Vol.Two is a respectful yet refreshing tribute to Johnny Hodges, a saxophonist with an iconic sound while injecting a contemporary vitality into the mix. Hodges' influence looms large throughout the album, guiding Broder's approach to the music. In this quintet's musical journey, Broder, on both alto and baritone saxophone, is accompanied by trumpeter Riley Mulherkar, pianist Carmen Staaf, bassist Barry Stephenson and drummer Bryan Carter. In both his playing and composing, Hodges showed ...

7
Album Review

Owen Broder: Hodges: Front and Center: Vol. Two

Read "Hodges: Front and Center: Vol. Two" reviewed by Dan McClenaghan


At times, while listening to random classics in the collection, one can have the idea that everything in jazz evolved from the late '40s to early '50s bebop. But before bop was swing. Duke Ellington stayed with swing through bop, funk, and fusion. And so did alto saxophonist Johnny Hodges (1906-1970), who played in Ellington's band from its early days, the late-1920s. A much-admired player with a distinctive tone and a beautiful way with a melody, Hodges also ...

9
Album Review

David Ecker: Respite (Despite)

Read "Respite (Despite)" reviewed by Dan McClenaghan


The Covid pandemic has been educational. One of its lessons is (to paraphrase a famous movie): music finds a way. If getting together in the studio is a problem, then grab the technology and go the remote recording route. It worked for guitarist Justin Morell and drummer Mark Ferber on 2022's Exit Music For Intelligent Life On Earth (Sonic Frenzy Records), and it works for pianist David Ecker in 2023, with his sophomore outing, Respite (Despite). The recording ...

4
Album Review

Owen Broder: Hodges: Front and Center, Vol.1

Read "Hodges: Front and Center, Vol.1" reviewed by Pierre Giroux


Johnny Hodges was a unique instrumentalist whose alto saxophone playing was readily recognizable due to his tone, phrasing, and melodic engagement in improvisation. For the greater part of his musical life, he was anchored in the middle chair of the Duke Ellington Orchestra's saxophone section. However Hodges never turned down an opportunity to stretch out in a small group setting on such albums as Back To Back and Side By Side. Additionally, there were several sessions with organist Wild Bill ...

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Music

Recordings: As Leader | As Sideperson

Hodges: Front and...

Outside in Music
2024

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Hodges: Front and...

Outside in Music
2022

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Mellifluous...

Mahakala Music
2022

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Used to Be Duke

From: Hodges: Front and Center: Vol....
By Barry Stephenson

Royal Garden Blues

From: Hodges Front and Center Vol 1
By Barry Stephenson

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