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Amalia Young
Morton Feldman: Violin and String Quartet
by John Eyles
With a running time of just over two hours, Morton Feldman's 1985 composition “Violin and String Quartet" is one of his longer ones, even though it falls far short of such pieces as 1984's “For Philip Guston" at four hours or 1983's “String Quartet (II)" at over six hours without a break. Their durations have made it difficult to neatly fit such compositions onto CDs; the Ives Ensemble's 4-CD recording of String Quartet (II) (hat[now] ART, 2003) bore the message, ...
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by Marat Ingeldeev
In the late 1970s, American composer Morton Feldman began writing exceptionally lengthy compositions. Not only did these works push the boundaries of traditional concert duration, but more importantly, they explored how the composer could tackle the subject of sheer scale itself. Speaking about this challenge, Feldman said: “Up to one hour you think about form, but after an hour and a half it's scale. Form is easy: just the division of things into parts. But scale is another matter." At ...
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