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Adrian Galante

Adrian Galante is a multifaceted, exciting, young multi-instrumentalist, arranger and composer whose remarkable command of his craft belies his youth.

At a recent appearance at New York’s legendary Birdland Jazz Club, where Galante was accompanied by Jazz luminaries Alan Broadbent, Jay Leonhart and Obed Calvaire, reviewer Andrew Portez described Galante as “...an extraordinary musician who appears to be equally gifted as a clarinettist as he is a pianist.” he continues “The young, handsome Galante is a soft-spoken, knowledgeable performer who knows his craft.. He demonstrated superb breath control, with long, legato lines. Galante’s exquisite lyrical playing created an emotionally satisfying close to one of the best sets this reviewer has heard in years.”

“Adrian Galante is a force… he is one of the greatest clarinetists ever” says bassiest Jay Leonhart “I have worked with most of the great clarinet players of the last century, including Benny Goodman, Buddy DeFranco, Artie Shaw, Ken Peplowski and Eddie Daniels. While Adrian Galante is still very young, he will surely become a member of this esteemed club in the years to come (you can’t join until you’re 40). As a pianist he can only be described as brilliant and imaginative”.

Adrian’s love for Jazz and the American songbook repertoire was ignited at an early age having had the great fortune of traveling to the United States to hear and spend time with jazz greats such as Tony Bennett, Marian McPartland, and Sonny Rollins.

Though initially drawn to the acrobatic playing of Artie Shaw, Benny Goodman and other clarinet virtuosi as a young student of the instrument, Galante soon found himself desiring to emulate the sounds of the great vocalists he heard.

“I’ve always been very influenced by great singers…” says Galante “I remember hearing Tony Bennett talk about the way Bing Crosby revolutionized popular singing, getting right up close up to the microphone making a very intimate sound…I like to approach the clarinet in the same way, using that principle of playing at a softer volume and really using the microphone to help illuminate all the very subtle nuances and details of the sound.”

“I’ve heard all the great jazz clarinet players and Adrian doesn’t really sound like any of them, he really has a sound all of his own” says music critic and co-author of Tony Bennett’s Autobiography, Will Friedwald. “He’s one of the few very young musicians of his age that seems to be comfortable with this notion of narrative form, he really gets what the songs are about and that’s something that usually comes much later in the development of musicians and singers, they don’t really tap into that emotional side, that passionate side, that erotic side until later on and it’s just another remarkable thing about Adrian and his music.”

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22
Album Review

Adrian Galante: Introducing Adrian Galante

Read "Introducing Adrian Galante" reviewed by Jack Bowers


The late Phil Woods used to argue that of all the members of the woodwind family, the clarinet is by far the most difficult to manage, saying it was “designed by six guys who had never met one another." If Australian-born, New York-based clarinetist Adrian Galante has any problems with the instrument, they are in no way apparent on his debut album, Introducing Adrian Galante, wherein listeners are introduced to a talented and versatile young artist whose growth to date ...

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Recording

Clarinetist Adrian Galante Declares His Arrival In The Jazz World With 'Introducing Adrian Galante,' Set For April 25 Release On Zoho Music

Clarinetist Adrian Galante Declares His Arrival In The Jazz World With 'Introducing Adrian Galante,' Set For April 25 Release On Zoho Music

Source: Terri Hinte Publicity

Adrian Galante offers up his wide-open, highly expressive clarinet sound to the world with the April 25 release of Introducing Adrian Galante (Zoho Music). The 28-year-old Australian-born musician engages with an ace Los Angeles–based quintet that includes pianist Tamir Hendelman, guitarist Larry Koonse, bassist Alex Frank, and drummer Joe La Barbera on a program of eight pieces from the Great American Songbook. While studying what has become a lesser-played instrument in jazz, Galante has absorbed the clarinet’s major voices, and ...

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