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A constantly introspective and inquisitive sound haunts More Questions Than Answers, Jim Baker's aptly titled solo debut. Baker is a Chicago-based musician who often ventures out with like-minded improvisers on projects like Ken Vandermark's Caffeine and Cornelius Cardew's Treatise. Here, Baker is left to his own devices, forging an interesting path for ten piano pieces and three synthesizer interludes.
Most of the offerings are a brief three to four minutes in length, with the acoustic pieces probing about Baker's surprisingly elegant dissonance. The synthetic products are harsher on the earpurposely, one might assume, to produce a darker shade and a contrast to the piano's lighter qualities. Halfway through the album, the concept works well, engaging the listener at times in an odd trance of sophistication and noise.
Since many of Baker's themes are similar, though, the album's second half is not nearly as fresh. Whether it's too much of a good thingor simply too muchwill depend on your tolerance for this type of improvisational jazz. Taken in doses, Jim Baker's solo debut is a worthwhile listening experience.
Track Listing: Watching the Interstate; Tolled Deadpan; Toesin du Jour; Happenedstance; Post-Industrial
Societies; Infinity Trap Blues; Is It Still Mime; Mourning Doves; Grey Comedy; Hobbesian's
Choice; More Questions Than Answers; Airstrip Vespers; Through the Woods.
Personnel: Jim Baker: piano, analogue synthesizer.
I love jazz because I enjoy the freedom.
I was first exposed to jazz when I was 17.
I met Cedar Walton at a concert in San Paulo.
The best show I ever attended was Helio Jambao trio.
The first jazz record I bought was Witchcraft by George Benson.
My advice to new listeners is listen to the old school first.