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Jacqueline Tabor
Jacqueline Tabor the Seattle Chanteuse
About Me
Jacqueline Tabor stands proudly in the realms of jazz, blues, and swing, captivating
audiences with her resounding voice, elegant demeanor, and captivating stage presence.
Renowned as one of the foremost vocalists in the region, she has won the prestigious
Earshot Jazz Vocalist of the Year award four times and has been honored with the Seattle-
Kobe Sister City Association Award for her remarkable contributions to cultural exchange.
Also known as the Seattle Chanteuse, Tabor's distinctive blend of bluesy allure and
magnetic charisma infuses her performances with an unparalleled depth of emotion,
drawing inspiration from the rhythms of everyday life to convey profound human
experiences. From the hallowed influences of Billie Holiday, Nina Simone, and Sarah
Vaughn to the contemporary resonance of Cecile McLorin Salvant, her repertoire
resonates with a soulful authenticity that transcends time.
Beyond her musical pursuits, Jacqueline Tabor was a dedicated educator, serving as a
faculty member of the Seattle Jazz Academy and imparting invaluable lessons on
performance and authenticity to aspiring vocalists. She continues to mentor
independently and create workshops that benefit both new and experienced vocalists.
My Jazz Story
True to her sobriquet, Jacqueline Tabor, the Seattle Chanteuse, is premier jazz and blues-infused vocalist of the Pacific Northwest who won
the Earshot Jazz Vocalist of the
Year in 2012, 2018, and 2019. The Tabor sound is deeply human and contains the perfect amount of sustained vibrato, touched by the
emotions contained in the lyrics. The
Seattle Chanteuse has released three albums, with her third, The Lady in the Gown comprising 15 jazz tunes, including her original title
track, which was nominated for
Earshot Jazz Album of the Year in 2018. Recently, she created and performed a powerful tribute concert to Billie Holiday with the
legendary Seattle Repertory Jazz
Orchestra.
Tabor first studied jazz in high school under pianist Jack Halm before continuing her education in the blues at Southern University in Baton
Rouge, Louisiana. Later, she
worked with the accomplished Cornish College vocalist, Andrienne Wilson, and followed that with performances in Kobe, Japan upon
winning the Seattle-Kobe Sister City
Association Female Jazz Vocalist Award. In 2011, she released her debut LP, What a Wonderful World, which helped Tabor earn the
prestigious Earshot Jazz Award for
Northwest Vocalist of the Year in 2012. Tabor released her second album in 2014, The Jazz in You, which was recorded live by KNKX’s
(formerly KPLU’s) Jim Wilke at the
Seattle Jazz Vespers. This project received national acclaim and exposure to airways. It later went on to be showcased in a coveted KNKX
in-studio session in 2016, now
available on YouTube/NPR. This experience inspired her next step, which quickly turned into the evolution of her career.
In 2018, Tabor’s third album, The Lady in the Gown, was released. This project has 15[SM2] jazz tunes including the original title track that
incorporates the fresh sound
and new vibe from her collaboration with the wonderful 200 Trio. Max Holmberg on drums is an inspiration to rhythm and brings coolness
and savvy more seasoned
musicians yearn to obtain. Greg Feingold is a bass playing purist, meaning one who can play without electronic amplification. The strength
of his strumming is
simultaneously tremendous and subtle. Cole Schuster is a beautiful guitarist who keeps a very “cool customer” look on his face while
playing monster licks that move your
heart and make your mind think. These men have really created a space for Tabor to broaden her song list with great support and respect.
Following the album release,
Tabor went on to accept an Earshot Jazz Award for the second time, receiving the 2018 Vocalist of the Year honor, while also being
nominated in the Album of the Year
category for The Lady in the Gown.
In 2019, Tabor was the featured artist for the Seattle Repertory Jazz Orchestra as they sold out two performances at Benaroya Hall in
Seattle and Kirkland Performance
Center. In fine form, Tabor received multiple standing ovations in tribute and celebration of the great musicians who collaborated with her
was simply phenomenal! In
Tabor’s own words, “I wanted to honor Billie Holiday as a survivor and not a victim. Holiday surpassed so many cruelties and had the
intelligence to find her voice through
songs.”
“Jacqueline Tabor is a joy to work with. Her authentic and heartfelt interpretations of classic jazz pieces and new pieces alike, bring
outstanding energy and depth to the
stage. Every one of her outings with the Seattle Repertory Jazz Orchestra has been a musical triumph, and we look forward to sharing the
stage again with her for many
years to come.”
- Michael Brockman Co-Director of SRJO
In March 2020, Tabor had the honor of being part of The Quarantine Sessions (TQS). TQS is the brainchild of Marina Albero, the multifaced,
an exceptionally talented
pianist. This project was womxn-led and received national acclaim from Los Angeles to New York City. In October 2020 this project now
has a home and a creative residency
at Block 41 and the support of Teatro Zin Zanni. The Four Women Residency includes Marina Albero, Adriana Giordano, Chava Mirel, and
Jacqueline Tabor.
Please stay tuned for what the future holds for this empowered songstress, the Seattle Chanteuse, as she embarks on a new and ongoing
project with the notable Marina
Albero, soon to be revealed.
Jacqueline Tabor & Marina Albero present: “Don’t Explain” - A dialogue between Eleanor and Eunice
“Don’t Explain” is a theatrical work in progress that presents the powerful story through song and dialogue between Billie Holiday and
Nina Simone. Audience favorites
Tabor and Albero create a space of intimate connection between Billie’s standard of God Bless the Child in 1939 and Nina’s composition of
Four Women in 1966. Today,
their voices are echoing stronger than ever as our society faces its own current turning point.
My Favorite Local Jazz Venues & Festivals