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Frode Gjerstad
About Me
FRODE GJERSTAD was born in Stavanger, Norway, 24-03-1948. He started trying to play
improvised music as a trumpeter in 1968. When he moved to Lund in Sweden (1971 to
1975) he got a chance to meet, talk and play with musicians interested in this music. He
had at that time started playing tenor saxophone (1969).
After he came back to Stavanger in 1975 he started collaborating with keyboardist Eivin
One Pedersen. Together, they explored many different aspects of improvised music, as a
duo or with others, but it was not until 1981, when they first played with John Stevens,
that he had a real chance to feel what a dedicated musicians can do to the music-making.
At the early stage of his career, he choose mainly to play with international musicians
because there was no tradition in Norway for the free music. However, after the club Blå
opened in Oslo in 1996, a good number of younger musicians are now picking up on the
music.
His relationship with British drummer, John Stevens which started in -81 and lasted up
until his death in -94, was of great importance both musically as well as on a personal
level. Through Stevens, he was introduced to some of the finest British improvisers and got
to know their way of playing. Together, they led the trio “Detail” starting with Johnny Dyani
on bass. And after Johnny died in -86, with Kent Carter.
He has also been active, running a larger group of mostly Norwegian musicians, the
Circulasione Totale Orchestra. He started the group using electric instruments and
modern rock-oriented rhythms. He has used the band to present his own compositions as
well as a workshop and a place for young people to get to know free music. The band
presented a commissioned work at the Molde Festival in -89 with a 13 man band
combining free improvisations, compositions as well as rapping and scratching.(Three
horns, three bassists, three drummers, accordeon, guitar a rapper and a DJ). The
Circulasione Totale Orchestra is a powerful ever-changing band.
But it´s not easy to keep such a big group together. In 1998 he decided to keep the core
of the band which at that time was Paal Nilssen-Love on drums and Øyvind Storesund on
bass and try to develop that sound. It became Frode Gjerstad Trio. So far the trio has
toured Norway, Sweden, Denmark, Polen, Italy, Austria, Portugal, England, Canada and the
United States.
He has received several grants from various foundations and has been very active in the
Norwegian Jazzmusicians Federation as well as in the committee for the Norwegian
Contemporary Music Federation. Voted Jazz Musician of the Year in Norway, 1997. Part of
the price was a concert where he could freely choose which musicians to use. This was the
first meeting with Hamid Drake and William Parker. The concert became a tour of
Scandinavia in -97 and the US in 2000.
US Pianist Borah Bergman has also been important to Frode. They first met in -94 and
have played as a duo and also as trio with Evan Parker and later Peter Brøtzmann. Borah
has been a great inspiration and a challenge over the years!
English bassist Nicholas Stephens first played with Frode in 1984. He played electric bass
at the time, but it was not until after John Stevens died in 1994 that they started working
together as “Calling Signals”. First with a tour of England in 1995 with Paul Rutherford and
Terje Isungset. And in 1996 with Louis Moholo and Danish guitarist, Hasse Poulsen. The
latest version of the group has been with accordionist Eivin One Pederesen and Paal
Nilssen-Love or Tony Marsh on drums. Frode also met and worked with US percussionist
Kevin Norton in 2004 and they have found a common ground. They have a trio with
Nicholas Stephens: Instinctual Eye.
Electronic music started to make an impact when he met Lasse Marhaug. They have played
some concerts together and made some recordings. Lasses sounds have opened up a
whole new territory of possibilities and came at a time when Frode started playing
clarinets. A very fruitful combination!
Another side of the electronic thing was the group Ultralyd which was Frodes idea: to bring
in a loud powerful electric bass with drums, guitar and reeds. After about a year, he left
the band because the sound level was unbearable for the old man.! And he left it to the
youngsters to decide how loud the band should be. Still, he has continued playing with
Morten, Anders and Kjetil in other projects.
His latest project is a quartet with US reed-man Sabir Mateen, Paal Nilssen-Love and
Danish electric bassist, Peter Friis-Nielsen.
