To round out the Klezmer Mountain Boys, NYC clarinetist Margot Leverett has assembled a diverse and talented group of klezmer and bluegrass veterans. The delightful outcome is not a fusion, but instead a forum for these musicians to meet, strut their own stuff, and try out each other's styles. Consisting of bluegrass/klezmer medleys and uniquely performed traditional pieces, the record offers listeners a chance to discover both these culturally rich genres.
The common denominator is of course Leverett, and this founding mother of klezmer's new wave is very much at home as mistress of ceremonies. Her clarinet laughs and sobs as she displays her prodigious klezmer chops on pieces like "Kolomeyke," "Klezmer Waltz," and assorted bulgars. While doing so, she introduces the bluegrass musicians – fiddler Kenny Kosek, mandolin player Barry Mitterhoff and guitarist Joe Selly – to her repertoire. These musicians fit right in, as Kosek's fiddle overflows with the requisite emotion, Mitterhoff effortlessly accesses a Russian balalaika feel and Selly's guitar rings like a bell.
What is no less remarkable is how Leverett returns the favor in kind as she discovers the heretofore unknown country in clarinet on tunes like "Cluck Ol' Hen" and "Lonesome Fiddle Blues." She also dives into several other bluegrass staples to expose their roots, lending a Celtic aire to "Leather Britches" and "Growling Old Man, Growling Old Woman." On the latter, she acquaints some of Jewish music's leading players, in the persons of trumpeter Frank London and his Klezmer Brass All Stars, with the world of bluegrass.
Leverett also gets together with jazz pianist Ruslin Agabayev for intriguing improvisational renderings of the traditional "Git Morgn" and "F major Bulgar." "Leibes Tanz," a wonderful celebration of NYC klezmer courtesy of accordionist/vocalist Michael Alpert and a beautiful Yiddish folk medley with pianist Zalmen Mlotek round things out. Bassist Marty Confurius holds all this together, providing the perfect klezmer pulse or picking out a peerless country beat.
Track Listing: 1. Cluck Ol' Hen & Kolomeyke 3:39
2. Klezmer Waltz 3:59
3. Russian Sher & Growling Old Man, Growling Old Woman 3:55
4. Git Morgn 4:40
5. Leather Britches 2:14
6. Leibes Tanz 3:40
7. Kentucky Dance Medley: Bill Monroe Meets Sid Beckerman 5:45
8. Lonesome Moonlight Waltz & Volich 5:47
9. Lonesome Fiddle Blues & Sid's Bulgars 3:43
10. F Major Bulgar 3:30
11. Sea of Reeds 2:05
12. A Redl & A Volich 3:56
13. Yiddish Folk Medley 4:24
Personnel: Margot Leverett - clarinet;
Kenny Kosek - fiddle;
Barry Mitterhoff - mandolin;
Marty Confurius - bass;
Joe Selly - guitar;
Frank London - trumpet;
Aaron Alexander - drums;
Curtis Hasselbring - trombone;
Mark Rubin - tuba;
Susan Hoffman Watts - trumpet;
Michael Alpert - accordion, vocals;
Ruslan Agababayev- piano;
Zalmen Mlotek - piano.
Year Released: 2003
| Record Label: Traditional Crossroads
| Style: Latin/World
I love jazz because it makes you reach inside and outside.
I was first exposed to jazz as a student of Pat Martino.
I met Michael Urbaniak at the Bottom Line in NYC.
The best show I ever attended was Pat Martino at the Village Vanguard.
The first jazz record I bought was STRINGS by Pat Martino
My advice to new listeners stay loose.