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With this US debut, the Japanese twin-guitar progressive/fusion band Next Order shows just how small the world has become. Reflecting influences from Jeff Beck and John Scofield to Canterbury bands like Phil Miller's In Cahoots, Next Order still retains its own voice, largely due to the divergent styles of guitarists Yuji Muto and Takumo Seino.
Of the two, Muto is the more raucous player, with a more overdriven tone, occasional reliance on a whammy bar, and a style that, along with those already mentioned, derives from King Crimson co-founder Robert Frippespecially in his lengthy chordal attack during solo on the metal-meets-swing of "Deadline Pressure." While Muto is not unfamiliar with the language of jazz, Seino's playing is cleanerthink Scofield with a more progressive edgeand explores a deeper vernacular.
It's no surprise that Muto wrote the opening "Aggressive Continuity." Beginning with a rapid-fire phrase that moves into heavy Red-era Crimson territory, it ultimately opens into an up-tempo solo spot that's pure Canterbury, though Muto is a less opaque player than Phil Miller. But he's not averse to shifting gears mid-tune to a fast swing, where bassist Atsumo Ishigaki and drummer Hiroshi "Gori" Matsuda play lithely behind Seino's almost bop solo.
What's encouraging about this group of young players is their restraint in a context that almost begs for excess. That's not to say there isn't a lot of high-octane playing herethere's plenty of proof of that on the funky "Hanadi" and "The Dragon," where Matsuda's opening drum solo has the groove and flexibility of Steve Gadd.
But the echo-laden opening to the eighteen-minute closer, "Blue Stone," is atmospheric and elastic. Seino's playing clearly references Scofield's early Blue Note years, despite Next Order's more electric vibe overalluntil, that is, the group notches things up into a free-flying exchange of raw abandon. A powerful drum solo from Matsuda takes things to eleven, and the original theme returns, but in a considerably more aggressive and ear-splitting fashion.
Next Order may not be revolutionary, but with its own blend of influences and the marked stylistic differences between Muto and Seino, which keeps the tension high throughout, Live-Powered Nexus is worth more than a passing glance by fans of any of the group's reference points.
Track Listing: Aggressive Continuity; Deadline Pressure; Hanadi; Insomnia; The Dragon; Blue Stone.
Personnel: Yuji Muto: guitar, right channel; Takumi Seino: guitar, left channel; Atsumo Ishigaki: bass; Hiroshi "Gori" Matsuda: drums.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.