372

Sun Ra and His Arkestra: Jazz in Silhouette

By

Sign in to view read count
In the jazz universe, Sun Ra typically travels in an unknown, distant galaxy of his own. He is on the map, but understood and given his proper significance by only a loyal few. Most know his esoteric philosophising, lavish stage shows, and outward-bound music, but those features only scratch the surface of Ra’s music. Recorded in 1958, Jazz in Silhouette stands as an overlooked masterpiece, a work that shows Ra not as a mere curiosity or backwater galaxy, but as a major creative force in the jazz universe, a center of gravity around which many of jazz’s major developments have orbited.

This album simply inspires, no matter what perspective you adopt: rhythm, melody, ensemble or mood. You can listen to John Gilmore sculpt his solo on “Saturn” with sensitivity and flair, or Hobart Dotson extemporize with grace and wit on the two-beat gospel number “Hours After”.

Or you could listen to how Ra integrates all of his marvelous sidemen with the intent of creating a bold yet highly disciplined group sound. Ra ingeniously weaves together the nostalgic, almost sentimental themes and counter-themes that make up Hobart Dotson’s “Enlightenment”, and in doing so he transforms the material from the everyday to something transcendent. On “Saturn” he subtly blends the abstract melody and rapid propulsion of bebop with more conventional big band themes without sacrificing the essential character of either. The tune swings hard and the soloists still create challenging lines.

Ra and the Arkestra continually invent intriguing rhythmic ideas, like on the burning “Velvet”. The rhythm section plays in a brisk 4/4 while the rest of the ensemble deftly navigates an arrangement that seems intent on creating confusion with irregular accents and off-balance phrases. But the Arkestra plays so precisely that they create weightlessness instead, and one cannot help but be uplifted by their force.

Continuing the inventive rhythmic interplay is the dark “Ancient Aiethopia”. However, unlike the other compositions, it lacks any harmonic progression, and Ra foregrounds the varied percussion that the Arkestra was starting to utilize at this time. Most importantly, it points towards the direction the Arkestra would head in the next decade. Namely, the Arkestra begins to blur the distinction between rhythm and melody, thereby creating more freedom in the ways that both could develop. Ra himself has stated that the two are inseparable. Here, Boykins' bass, the floor toms and Ra’s left hand set up an interlocking pulse. Ominous brass figures and a percussive flute solo follow, then Dotson builds a penetrating solo on the prevailing mood of mystery and distance. Ra most distinctively blurs the rhythm/melody line in an interlude that grows out Dotson’s melodic ideas, yet still forcefully follows the pulse pattern already established.

Jazz in Silhouette shows Ra doing what he did like few others: looking at the past, present and future simultaneously while maintaining a unified musical direction. Ra’s Arkestra swings intricate big band charts worthy of Ellington, never forgetting their blues roots. They precisely play angular bop melodies in an orchestra setting. They explore the wide-open modal frontier that was opening up and also foreshadow the prominent role percussion would play in the coming years. Combine these elements with bold solos that gleam with warmth and precision, splashes of Afro-Cuban rhythms and Ra’s imaginative writing- what results is a captivating set of music that not only firmly establishes Ra in the jazz tradition, but actually puts him on its leading edge, pointing the direction forward.


Track Listing: 1.Enlightenment 2.Saturn 3.Velvet 4.Ancient Aiethopia 5.Hours After 6.Horoscope 7.Images 8.Blues at Midnight

Personnel: Sun Ra: piano; John Gilmore: tenor sax; Marshall Allen: alto sax, flute; Pat Patrick: baritone sax, flute; Hobart Dotson: trumpet; Julian Priester: trombone; Charles Davis: baritone sax; James Spaulding: alto sax, flute; Ronnie Boykins: bass; William Cochran: drums

Title: Jazz in Silhouette | Year Released: 2003 | Record Label: Evidence Music


Tags

comments powered by Disqus

More Articles

Read Yequm CD/LP/Track Review Yequm
by Dan Bilawsky
Published: October 24, 2017
Read Schlitten CD/LP/Track Review Schlitten
by Dan McClenaghan
Published: October 24, 2017
Read The Willisau Concert CD/LP/Track Review The Willisau Concert
by John Sharpe
Published: October 24, 2017
Read Together Apart CD/LP/Track Review Together Apart
by Roger Farbey
Published: October 24, 2017
Read Whispers on the Wind CD/LP/Track Review Whispers on the Wind
by Jack Bowers
Published: October 23, 2017
Read Shropshire Lads: Songs to the Poems of AE Housman CD/LP/Track Review Shropshire Lads: Songs to the Poems of AE Housman
by C. Michael Bailey
Published: October 23, 2017
Read "Strange Voodoo from Electric Salad Studio: Volume 1" CD/LP/Track Review Strange Voodoo from Electric Salad Studio: Volume 1
by Jack Gold-Molina
Published: November 28, 2016
Read "Far from Over" CD/LP/Track Review Far from Over
by Mike Jurkovic
Published: September 8, 2017
Read "Begin to Dance" CD/LP/Track Review Begin to Dance
by C. Michael Bailey
Published: March 19, 2017
Read "Live At The Xerox Rochester International Jazz Festival" CD/LP/Track Review Live At The Xerox Rochester International Jazz Festival
by Roger Farbey
Published: December 23, 2016
Read "Double Down" CD/LP/Track Review Double Down
by James Nadal
Published: June 10, 2017
Read "Luz de Luna" CD/LP/Track Review Luz de Luna
by Jack Bowers
Published: March 9, 2017

Sponsor: ECM Records | BUY IT!  

Support our sponsor

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.