These are some snazzy sounds, and given this is Christmas music, the "fat man" in the title would be, of course, Santa Claus.
At the risk of sounding Scrooge-ish, you have to pick your holiday sounds carefully in order to avoid the sap factor. The members of Tonica group comprised of vocalists Steve and Karen Multer, Paul Langford, and Jennifer Chadahave no sap in their systems. What they do have is some serious swing, crystalline four-part harmony, and a stylish and jazzy way of going after these holiday songs. Some are time-tested standards like Gene Autry's "Here Comes Santa Claus" and the ever-familiar "Santa Claus is Coming to Town"; some very strong originals come from the pens of Tonic-mates Steve and Karen Multerthe snappy title tune (and dig that Jim Gailloreto sax solo) and "At Christmas Time," a poignant ballad.
The sound is very much in the mode of the late thirties and forties vocal groupssmoothly-polished harmonies, with an attitude manifested by fedoras and double breasted jackets, or white dinner jackets and bow ties, for the men (maybe a hip flask stashed in an inside pocket); and evening gowns and above-the-elbow gloves for the ladies.
A fresh and interesting kind of swing for the holidays.
Track Listing: The Holiday Season; Jolly Old St. Nicolas; Here Comes Santa Claus; It Ain't Over 'til the Fat
Man Swings; Silver and Gold; Up on the Housetop; At Christmas Time; The Man With the
Bag; Darn That Sock; Santa Claus is Coming to Town; Christmas in Chicago; The Joint is
Personnel: Steve Multer, Karen Multer, Paul Langford, Jennifer Chada: vocals; Paul Langford: piano;
Shawn Sommer: bass; Kraig McCleary: guitar; Tom Radtke: drums, Jim Gailloreto: tenor
saxophone, clarinet, flute; Grant Cramer: flugelhorn, trumpet; Mark Olen: trumpet, Dave
Santilli: soprano and tenor saxophones.
First time I met Lee Konitz, my mentor who completely changed my life, in 1992. He was giving a masterclass at the Cologne Conservatory (Germany) where I was a freshmen (with playing experience around three years total)
First time I met Lee Konitz, my mentor who completely changed my life, in 1992. He was giving a masterclass at the Cologne Conservatory (Germany) where I was a freshmen (with playing experience around three years total). He saw an alto sax on my neck and said: Hey, how about you there, would you like to play something for us? I played a piece with the piano. OK, said Lee, how about you play something unaccompanied? Oh yeah! I was deep into transcribing Sonny Stitt and pretty much into playing as fast as possible as many right notes as possible. So I played Oleo in about 300 beats per minute and was very proud of myself. Lee was tapping his foot all the way through. Hmm, he said, that was in time and all that... (I thought - yeah, of course, haha!) and then he said, You've got a lot of quantity, how about quality? It took me 15 years to realize what he meant.