All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
These are some snazzy sounds, and given this is Christmas music, the "fat man" in the title would be, of course, Santa Claus.
At the risk of sounding Scrooge-ish, you have to pick your holiday sounds carefully in order to avoid the sap factor. The members of Tonica group comprised of vocalists Steve and Karen Multer, Paul Langford, and Jennifer Chadahave no sap in their systems. What they do have is some serious swing, crystalline four-part harmony, and a stylish and jazzy way of going after these holiday songs. Some are time-tested standards like Gene Autry's "Here Comes Santa Claus" and the ever-familiar "Santa Claus is Coming to Town"; some very strong originals come from the pens of Tonic-mates Steve and Karen Multerthe snappy title tune (and dig that Jim Gailloreto sax solo) and "At Christmas Time," a poignant ballad.
The sound is very much in the mode of the late thirties and forties vocal groupssmoothly-polished harmonies, with an attitude manifested by fedoras and double breasted jackets, or white dinner jackets and bow ties, for the men (maybe a hip flask stashed in an inside pocket); and evening gowns and above-the-elbow gloves for the ladies.
A fresh and interesting kind of swing for the holidays.
Track Listing: The Holiday Season; Jolly Old St. Nicolas; Here Comes Santa Claus; It Ain't Over 'til the Fat
Man Swings; Silver and Gold; Up on the Housetop; At Christmas Time; The Man With the
Bag; Darn That Sock; Santa Claus is Coming to Town; Christmas in Chicago; The Joint is
Personnel: Steve Multer, Karen Multer, Paul Langford, Jennifer Chada: vocals; Paul Langford: piano;
Shawn Sommer: bass; Kraig McCleary: guitar; Tom Radtke: drums, Jim Gailloreto: tenor
saxophone, clarinet, flute; Grant Cramer: flugelhorn, trumpet; Mark Olen: trumpet, Dave
Santilli: soprano and tenor saxophones.
Year Released: 2005
| Record Label: Self Produced
| Style: Vocal
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.