All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
If the duo is the most conversational form of jazz, the script for I Love It When You Snore could have been written by Samuel Beckett. Paal Nilssen-Love and especially Mats Gustafsson are a couple of the best known players to emerge out of the '90s Scandinavian free/avant jazz scene, having recorded plenty with the likes of Ken Vandermark and Peter Brötzmann. This brief thirty-two minute duo recording is more unusual than most of the other of the already exceptional recordings either has been involved with. Gustafsson really brings it on with his unique vocabulary of abstract, pops, clicks, squeaks, screams, and howls.
There’s a very strange dynamic created between his baritone sax, which he plays exclusively throughout this recording, and Nilssen-Love’s rolling, percussion explorations. They’re both working a particularly unemotional space here, focusing on creating more intellectually challenging soundscapes. Sometimes they seem to be channeling the most abstract, beatless electronica through their warmer, acoustic instruments, played by human hands and minds instead of laptop computers. Their stutter-step improvisations demand your undivided attention, and they will reward it too. But this is definitely not background music.
Jazz is a creative explosion of individual freedom and communication.
I was first exposed to jazz when I was a kid. My father had a music store.
The best live performance I ever attended was Kenny Garrett in Harlem, New York.
The first jazz record I bought was Saxophone Colossus by Sonny Rollins.
My advice to new listeners is keep listening!