Perhaps this disc aims for high irony or some kind of inside joke, but the group is anything but "industrial" and their music defies any definition of "hard core." One might perhaps expect machine-like coordination or loud thrusting noise, but this quintet led by Andrew Durkin sticks to the open space of improvisation around (often) arranged accompaniment. The pieces span a reasonable variety of styles, with a generally upbeat and swinging feel. Occasional electronic tinkering adds an aura of mystique, and the two "Fantasies" play with classical themes in the jazz context.
As for Hardcore, the music is too open-ended and playful to fit this category as well. On the creative side of traditional straight-ahead swinging jazz, both the arrangements and the improvised solos display a refreshing level of innovation. Certainly not ground-breaking or monumental, the sounds on this disc nevertheless offer something special to the curious and open-minded listener. Hardcore deserves a listen and reveals depth upon close examination.
Track Listing: Daphne's Dream City; Valley of the Smokes; What Is Music For? (part one); Fantasy on Eine; The Man in the Godzilla Suit; Lucky Duck; Cozy 'n Tooty; Skeeter Goes Legit; Fantasy on Cozy; Plus or Minus Eleven; What is Music For? (part two); What is Music For? (part three); Art & Commerce preview; Art & Commerce; Godzilla Redux.
Personnel: Evan Francis: flute, alto saxophone; Mike Dodge: clarinet, tenor saxophone; Aaron Kohen: bass; Drew Hemwall: drums; Andrew Durkin: piano.
I love jazz because next to my kids, it's the love of my life.
I was first exposed to jazz by Joe Rico from a tiny station in Niagara Falls in 1954 when I was 13.
The best show I ever attended was Maynard Ferguson who blew the roof off Massey Hall in the late 50s.
My advice to new listeners is to listen to everything you can and then listen again.