Creative Sources is a Portuguese label largely devoted to free improvisation. Over the past decade it has released over 150 CDs, making it one of the most active labels devoted to a demanding genre. Founded by violist Ernesto Rodrigues, the label frequently documents his work, along with his regular musical partners. Eterno Retorno, recorded in Lisbon in 2007, presents a quartet with Rodrigues and two frequent collaboratorshis son, cellist Guilherme Rodrigues, and electronic musician Carlos Santos, along with Brooklyn-based percussionist Andrew Drury. Drury has worked across a spectrum of avant-jazz, free improvisation and environmental and community music projects, but it's still remarkable to hear how effectively he matches up with three musicians already closely attuned to one another's processes.
The music is insistently freely improvised, form not a given but belonging instead to the ultimate realization. Close listening will usually prove sufficient to separate individual sound sources, but there are moments when the expanded vocabularies of the acoustic instruments will cross into the realm of Santos' electronics. There's a certain assumption that much improvised music sounds and operates in the same way, but this quartet suggests something almost diametrically opposed. Each genuine encounter provides an opportunity to listen in a new way. The four musicians work through dynamics of familiarity and difference, each testing known relationships between sounds and patterns with new elements. While each of the four will sometimes focus determinedly on a particular element, there is rarely any effort to mimic or accompany another.
Without imitation of parts or conventional concordance of harmony or rhythm, the closeness consists instead of a certain working through of relationships between both space and density, which exist here on a scale that can suggest very large traditional orchestras. Moments of convergence between strings and percussion suggest both close relationship and tremendous space, enough space to allow the parts to coexist and interact without establishing a traditionally coded musical language. The animated electronics and percussion at the conclusion of "Adamant Distances" are genuinely exciting, a highlight of music that is an adventure for the musicians and listeners alike.
Track Listing: Street Food; Good Dog, Cookie; Adamant Distances; Many Happy Returns.
Personnel: Ernesto Rodrigues: viola; Guilherme Rodrigues: cello; Carlos Santos: electronics; Andrew Drury: percussion.
I was first exposed to jazz when I was tiny. My earliest memory is watching Ella Fitzgerald scat on a Christmas special when I was no older than four. Like many who are from tiny towns, my first extended exposure was listening to the high school jazz band when I was a kid
I was first exposed to jazz when I was tiny. My earliest memory is watching Ella Fitzgerald scat on a Christmas special when I was no older than four. Like many who are from tiny towns, my first extended exposure was listening to the high school jazz band when I was a kid. For some reason I remember an arrangement of Hey Jude they did. My first real exposure was Stan Kenton in the Smithville, MO high school gym. Kenton and the band director there were old friends, so he would play there from time to time. My dad took me without telling me where we were going and it was the only show he ever took me to. I remember that Bobby Shew played Send In Clowns and I damn near levitated I was so excited. The huge sound and amazing chords floored me. I believe I was 13 at the time. I immediately started practicing and taking lessons. Music became a passion and nearly a career. I also listened to Dick Wright's Jazz Show on KANU every night. I can't even start to explain what I learned lying in bed listening to Dick talk about jazz. I met him once when I was struggling to put together a solo for Joy Spring playing in a combo at KU. Stopped by his office and asked for recommendations. He showed up at my jazz ensemble rehearsal the next day with a tape with example solos. What a kind man Dick Wright was.
My advice to new listeners is to stop worrying about what music is important and focus on music you like. I spent quite a bit of my music life listening to important music I didn't necessarily like. Must say I have quite a bit more fun now listening to music that I deeply enjoy. Some of it is even important.
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