1

Emilio Santiago: Emilio Santiago

Kevin Press By

Sign in to view read count
In retrospect, it's not surprising that Emilio Santiago chose a track list steeped in Latin music history and a long list of some of the best players in the game. It was clear from early on that Santiago had the potential to make a significant contribution to the genre. What's remarkable about this 1975 debut—reissued by Far Out Recordings—is how in command he sounds at 29.

This 10-track LP came just two years after his debut single for Polydor Records, "Transa de amor." The album offers up the work of songwriters Ivan Lins, João Donato, Jorge Benjor, Nelson Cavaquinho, Guilherme de Brito and others. It is very much of its era. Given the level of interest in that period presently, it's a well-timed repackaging.

The album opens with the immediately recognizable "Bananeira." The bossa nova classic Bebel Gilberto turned a new generation onto at the beginning of the last decade was written the same year Santiago recorded it. João Donato penned the music; Gilberto Gil the lyrics.

Durval Ferreira's and Pedro Camargo's velvet-smooth "Porque Somos Iguais" is another highlight. It features a traditionally romantic arrangement by Dori Caymmi and Santiago in full-crooner mode. It takes a collection of big, big talents to pull off something like this. Santiago and Co. nail it.

That's followed by the up-tempo number "Batendo a Porta," co-written by João Nogueira and Paulo Cesar Pinheiro. João Donato's arrangement and Santiago's vocals are sufficiently traditional to provide both artistic and documentary value.

Despite the strength of this album, Santiago didn't see commercial success until the late 1980s. A collection of Brazilian music entitled Aquarela Brasileira, on the Som Livre label, finally did the trick. This early release deserves a bigger reception than it originally received.

Track Listing: Bananeira; Quero Alegria; Porque Somos Iguais; Batendo a Porta; Depois; Brother; La Mulata; Nega Dina; Doa a quem doer; Sessao das dez.

Personnel: Emilio Santiago: vocals; João Donato: electric piano; Aurino Ferreira: baritone saxophone; Carlos Roberto Rocha: guitar, vocals; Durval Ferreira: guitar; Ariovaldo Contesini: percussion; Orlandivo: percussion; Vitor Assis Brasil: tenor saxophone, alto saxophone; Zé Bodega: tenor saxophone; Edson Maciel: trombone; Formiga: trumpet; Marcio Montarroyos: trumpet; Novelli: bass; Wilson Das Neves: drums; Peter Dauelsberg: strings; Dori Caymmi: electric piano; Alexandre: bass; Botello: clarinet; Ivan “Mamão” Conti: drums; Celso Woltzenlogel: flute; Danilo Caymmi: flute; Helio Delmiro: guitar; Edmundo Maciel: trombone; Jesse Sadoc: trombone; João Luiz Maciel: trombone; Paulinho: drums; Copinha: flute; Modo Livre: bass; João Pinheiro: strings; Chacal: percussion; Azimuth: bass; Jaime: vocals; Jurema: vocals; Lucia Lins: vocals; Marcio Lott: vocals; Marcos: vocals; Nair: vocals; Gilson: electric piano; Ricardo: flute; Laercio De Freitas: electric piano; Tita: guitar.

Title: Emilio Santiago | Year Released: 2018 | Record Label: Far Out Recordings

Tags

Watch

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Album Reviews
Read more articles
Emilio Santiago

Emilio Santiago

Far Out Recordings
2018

buy

Related Articles

Read Burning Meditation Album Reviews
Burning Meditation
By John Sharpe
April 18, 2019
Read Remembering Cecil Album Reviews
Remembering Cecil
By Dan McClenaghan
April 18, 2019
Read Apophenia Album Reviews
Apophenia
By Roger Farbey
April 18, 2019
Read Transcending the Sum Album Reviews
Transcending the Sum
By Chris May
April 17, 2019
Read Punkt.Vrt.Plastik Album Reviews
Punkt.Vrt.Plastik
By John Sharpe
April 17, 2019
Read Glitter Wolf Album Reviews
Glitter Wolf
By Jennifer DeMeritt
April 17, 2019
Read American Love Call Album Reviews
American Love Call
By John Bricker
April 17, 2019