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These improvisations between Chicago's ubiquitous cellist Fred Lonberg-Holm and veteran British double bassist Nick Stephens, known for ongoing collaborations with Norwegian reed master Frode Gjerstad and South-African drummer Louis Moholo-Moholo, were recorded in 2011 in Stephens' home-town, Northwood.
The duo immediately establish a common language that encompasses organic elements of fiery free jazz, through exploration of extended bowing techniques or often simple, straight- forward and lyrical, chamber playing. The two juggle between these shifting elements, to form searching, restless dynamics and and multi-layered textures.
The fourth, 15-minute long improvisation enables Lonberg-Holm and Stephens to explore their shared, searching spirit and the resulting supportive interplay even deeper. Both cover a continuum of sounds. Elegant, poetic bowing, nuanced investigation of the deep and resonant timbral spectrum of the cello and double bass, percussive use of the bows and a changing pulse comprise the spare overtones. The pair perform with great focus, and an impressive command of their instruments, welcoming any sound and any dynamic, whether tough, nervous or gentle and caressing.
I love jazz because I enjoy the freedom.
I was first exposed to jazz when I was 17.
I met Cedar Walton at a concert in San Paulo.
The best show I ever attended was Helio Jambao trio.
The first jazz record I bought was Witchcraft by George Benson.
My advice to new listeners is listen to the old school first.