The Manhattan Transfer: CouldnBy
After having recorded for Atlantic since the mid-1990s, the group jumps to Telarc and kicks things off with this live set recorded in Tokyo in late 2000. On the whole the group remains this side of bebop, opting for a program of traditional jazz and swing tunes, as well as a generous smattering of Armstrongtonia.
Pops looms large over the Transfer’s concert landscape on Couldn’t Be Hotter. "Old Man Mose," and "Up a Lazy River" were both Armstrong vehicles. "Do You Know What It Means To Miss New Orleans" and "Stars Fell On Alabama " round out the Satchmo lovefest. "Blue Again" is seasoned with Wayne Johnson’s slide guitar, providing a rich stew of influences, including Chicago Jazz and Doo Op. "Nuages" is full of whimsy and fun, bragging Jon Hendricks-penned lyrics over Django’s peerless melody. Saxophonist Larry Klimas’ contributions to especially "Sugar" and "Stompin’ At Mahogany Hall," are effervescent and humid all at once.
"Nothing Could Be Hotter Than That," "It’s Good Enough To Keep," and "Don’t Let Go" span the considerable breadth of the Transfer’s capability, amply demonstrating the group’s ability to sing double-time. Winding it down, "Twilight Zone / Twilight Tone" is pure entertainment. Perfect bliss comes through on the closer, eight minutes of "My Foolish Heart." Ensemble singing may not get any better.
Old Man Mose; Sing Moten
Alan Paul; Janis Siegel; Cheryl Bentyne, Tim Hauser
Title: Couldn | Year Released: 2003 | Record Label: Telarc Records
Post a comment about this album
FOR THE LOVE OF JAZZAll About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
WE NEED YOUR HELPTo expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
About The Manhattan Transfer
Instrument: Voice / vocalsArticle Coverage | Calendar | Albums | Photos | Similar Artists