If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
This program of sensual ballads gives the Shelly Berg Trio plenty of room to express deep feelings about the music and about how jazz has given each member a long and fruitful career doing what he loves. Each solos frequently and passionately, but with subdued emphasis. A ballad caress needn't be amplified or swung hard. The meaning becomes clearer when an audience is given the chance to absorb it gradually. Here, the pianist, bassist, and drummer set these wheels in motion naturally. Romance and lyrical passion occupy the front seats by default.
Berg pounds out "I Hear a Rhapsody" with the enthusiasm that he's been recognized for on previous recordings and in live appearances. Long known as a powerful swinger and forceful driver, he can't help making a lasting impression.
The remainder of the session, however, is devoted to tender interpretations that sizzle underneath the surface. Berg ensures that each melodic phrase is woven seamlessly through the trio's interpretations. He uses up every ounce of strength available in his thorough treatment of a song but restrains the urge to shout it out loudly. Instead, the pianist and his partners find a quiet release for their tales. The listener, of course, is free to add an "Amen" or a "Yeah" as often as he sees fit. It's that kind of a listening experience.
Even Berg's "Hot it Up," though framed within a forceful, hard bop landscape, shows up somewhat quiet and decidedly cool. It's a chance to sit back and enjoy without being overwhelmed by the force of the music. Blackbird ranks as Berg's best recording thus far and comes highly recommended. His "Julia" closes the album with a slow and romantic appreciation for the natural direction that acoustic ballads should always come to us: from the heart.
Track Listing: All My Tomorrows; Estate; Blackbird; I Hear a Rhapsody; Question and Answer; A Flower is a Lovesome Thing; All the Things You Are; Hot it Up; Blame it on the Sun; She's Always a Woman; If I Should Lose You; Julia.
I was first exposed to jazz while learning to play chess with my uncles. They would play smooth jazz, and then switch up to more standard types of jazz. But, when they played Kind of Blue by Miles Davis, I was
hooked and I haven't looked back.