Make a difference: Support jazz online

Support All About Jazz Your friends at All About Jazz are looking for readers to help back our website upgrade project. Of critical importance, this project will result in a vastly improved design across all devices and will make future All About Jazz projects much easier to implement. Click here to learn more about this project including donation rewards.

301

Baltimore Jazz Alliance: Baltimore Jazzscapes

Victor Verney By

Sign in to view read count
Asked to name America's jazz hotbeds, most fans would mention New York, New Orleans, and perhaps Boston or Philadelphia. Midwesterners might insist on Chicago and Kansas City, while Left Coasters could be expected to lobby for LA and San Francisco. If this CD is any indication, Baltimoreans may be said to have a strong case for their inclusion on the list.

Coordinated by the Baltimore Jazz Alliance, a not-for-profit organization committed to the development of the jazz community and audience, this CD is a well-chosen, well-presented compilation of that city's leading jazz lights. With fourteen tracks, space does not permit much more than a brief gloss on the individual performers, which is a shame; it's strong from start to finish, making it difficult to single out any particular track for special mention.

Piano aficionados will find things to like here. The driving "Holyspirit," a powerful excursion into the McCoy Tyner school by Joel Holmes, also has an excellent drum solo by Eric Kennedy. "AHAMAY" is a tasteful keyboard performance by George Spicka in a Bob James vein. In addition to fronting the Phil Ravita Trio on this track (with a solo by bassist Ravita), Spicka also contributes a solo effort on an original composition, "Them Gals."

The song selection is nicely balanced, covering the old as well as the new. It includes two standards showcasing polished male and female vocalists—Ron McCadden on "You'd Be So Nice To Come Home To" and Felicia Carter on "Makin' Whoopee." Another chestnut, "Have You Met Miss Jones?," is a relaxed acoustic duet by saxophonist Greg Thompkins and guitarist Brian Kooken (sounding a bit like Joe Pass here).

On "Where There's a Will, There's a Waltz," the Alexandria Kleztet features the violin/clarinet front line of Seth Kibel and Helen Hausmann, respectively—somewhat unusual in jazz combos, if not in klezmer bands—that makes for a charming whimsicality.

"Rio Le" has all the right ingredients for a south-of-the-border number with radio airplay potential: the flamenco-esque guitar of Richard Walton, the lilting flute of Joe Doyle, and the obligatory Latin percussion of John Grant. "Milestones" is a one-man tour de force by Justin Thomas, who simply plays the hell out of the vibraphone, accompanying himself with overdubbed electronic instruments in a very interesting arrangement.

"Pompeii," by the Todd Marcus Jazz Orchestra, is as fiery as its name would lead one to expect. The band features a six-man front line of horns, including Marcus on bass clarinet along with tenor, alto, flute, trumpet and trombone. Both the sound and the song recall the work of Charles Mingus.

While Baltimore's once-proud Orioles have fallen on hard times lately, prompting some to attend games with bags over their heads, at least that city's residents can take justifiable pride in the local musicians. This CD is highly recommended for them—or anyone else, anywhere else—who appreciates high-quality jazz.


Track Listing: Al's the Things You Are; Where There's a Will, There's a Waltz; Words Unspoken; Imagine That; Abesroof; Have You Met Miss Jones?; Holyspirit; AHAMAY; Rio Le; You'd Be So Nice To Come Home To; Them Gals; Milestones; Pompeii; Makin' Whoopee.

Personnel: Al Maniscalco Quartet (1); The Alexandria Kleztet (2); Anthony Villa Group (3); Cold Spring Jazz Quartet (4); Derivative (5); Greg Thompkins-Brian Kooken Duo (6); Joel Holmes (7); Phil Ravita Trio (8); Richard Walton Group (9); Sounds Good! (10); George F. Spicka (11); Justin Thomas (12); the Todd Marcus Jazz Orchestra (13); the Unified Jazz Ensemble featuring Felicia Carter (14).

Title: Baltimore Jazzscapes | Year Released: 2006 | Record Label: Self Produced

Tags

comments powered by Disqus

More Articles

Read Lucas CD/LP/Track Review Lucas
by Mike Jurkovic
Published: January 22, 2018
Read In Paris: The Definitive ORTF Recording CD/LP/Track Review In Paris: The Definitive ORTF Recording
by C. Michael Bailey
Published: January 22, 2018
Read D'Agala CD/LP/Track Review D'Agala
by Mark Corroto
Published: January 22, 2018
Read Not Bound CD/LP/Track Review Not Bound
by Don Phipps
Published: January 22, 2018
Read Not Nearly Enough To Buy A House CD/LP/Track Review Not Nearly Enough To Buy A House
by Mark Sullivan
Published: January 21, 2018
Read Journey to a New World CD/LP/Track Review Journey to a New World
by Troy Dostert
Published: January 21, 2018
Read "Lattice" CD/LP/Track Review Lattice
by John Sharpe
Published: December 14, 2017
Read "Inspired by Nature" CD/LP/Track Review Inspired by Nature
by Ian Patterson
Published: July 14, 2017
Read "The Vampires Meet Lionel Loueke" CD/LP/Track Review The Vampires Meet Lionel Loueke
by Friedrich Kunzmann
Published: December 26, 2017
Read "In Paris: The Definitive ORTF Recording" CD/LP/Track Review In Paris: The Definitive ORTF Recording
by Geno Thackara
Published: January 11, 2018
Read "One of a Kind" CD/LP/Track Review One of a Kind
by Troy Dostert
Published: October 3, 2017
Read "Dream a Little Dream" CD/LP/Track Review Dream a Little Dream
by Victor L. Schermer
Published: November 16, 2017