Home » Jazz Articles » Sonny Clark
Jazz Articles about Sonny Clark
Sonny's Crib
by C. Michael Bailey
From the outset, pianist Sonny Clark's sophomore effort as a leader is crisp, white-hot hard bop. Leading a standard bop trumpet-tenor saxophone quintet (Donald Byrd, John Coltrane), supplemented with trombone (Curtis Fuller), Clark and his most reliable rhythm section of bassist Paul Chambers and drummer Art Taylor carve five dictionary examples (with alternate takes on the CD) of the music evolving from bebop, principally on the East Coast (if we consider that cool jazz took root on the West Coast ...
read moreDial "S" for Sonny
by C. Michael Bailey
Pianist Sonny Clark was culturally marginalized in much the same way as his contemporary Elmo Hope—both heroin-addicted jazz musicians in the 1950s: at the time, and romantically, a cliche. Both pianists have been sorely lumped into the “Bud Powell school of bop piano" which superficially may seem accurate until one considers the evolutionary continuum of jazz piano that places both Clark and Hope conceptually and stylistically beyond Powell. Clark was born in Georgia and raised outside of jny: ...
read moreTina Brooks Quintet: The Complete Recordings
by Chris May
Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own name. But like Mobley, Brooks had an instantly recognisable sound, was a spellbinding soloist and was also a gifted composer. In addition to his ...
read moreSonny Clark Trio: The 1960 Sessions with George Duvivier and Max Roach
by Jakob Baekgaard
Jazz history tends to favor the great musical innovators whose stylistic leaps have formed the ever-changing vocabulary of jazz: the improvisational wonder of Louis Armstrong, the free flight of Charlie Parker, the chameleon-like transformations of Miles Davis, and the singular piano world of Thelonious Monk. For long a time, Monk, along with Bud Powell, has been seen as one of the architects of bop piano, and while this is certainly true, it can be interesting to hear those bop pianists ...
read moreSonny Clark: Cool Struttin’ – 1958
by Marc Davis
Blue Note Records was many things in the 1950s and '60s, but it was never the home of cool jazz. Yes, it was ground zero for hard bop in the '50s. And yes, it was the capital of soul-jazz in the '60s. But to release an album in 1958 (one year after Miles Davis' Birth of the Cool) with the word “cool" in the title was a very un-Blue Note-ish thing. And yet Cool Struttin'--led by pianist Sonny ...
read moreSonny Clark: Dial "S" For Sonny
by Greg Simmons
Original copies of Blue Note 1570--Dial “S" For Sonny--are among the rarer Blue Note records, often changing hands for thousands of dollars for even a mediocre copy. That's an awful lot of scratch for a fifty-six year old piece of pressed vinyl and a cardboard sleeve. Fortunately, there are better ways to hear pianist Sonny Clark's debut recording for the fabled label. The Music Matters series of two-disk, 45 rpm vinyl records is winding down after close to one hundred ...
read moreHeart of Darkness: Sonny Clark Remembers April
by Alexander M. Stern
Pianist Sonny Clark was a consummate hard-bopper who made only a handful of recordings as a leader, but appears on literally dozens of albums as a sideman. His impressive list of credits includes sessions with Charles Mingus, Sonny Rollins, Billie Holiday, Grant Green, Stanley Turrentine, Lee Morgan, and Jackie McLean. His style was largely informed by that of Bud Powell, yet showed a great deal of originality. Clark was a close friend of fellow pianist Bill Evans, who dedicated a ...
read more
Giveaway
Days remaining: 4
