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Profile

Children of the Light: Forging New Footprints

Read "Children of the Light: Forging New Footprints" reviewed by Jiaowei Hu


"The trio is a real laboratory for colours, voices, and ways of playing interactions," says the Panamanian-born jazz pianist Danilo Pérez. With bassist John Patitucci and drummer Brian Blade, Pérez has forged a bond over two decades in Wayne Shorter's last and yet groundbreaking Footprints Quartet. After Shorter withdrew from the public eye, the three sidemen continued to explore cosmic and existential themes. They nod to Shorter's mentorship and named their trio as “Children of the Light"--a twist on Shorter's ...

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Album Review

Josh Lawrence: Still We Dream

Read "Still We Dream" reviewed by David A. Orthmann


"Long As You're Living," the opening track of Still We Dream, trumpeter Josh Lawrence 's seventh release for Posi-Tone Records, is an ideal candidate for extensive airplay on jazz radio. Coming in at under four minutes, it is all substance, no fluff, no excess. A blues in 5/4 time, generating middling tempo swing courtesy of bassist Boris Kozlov and drummer Rudy Royston, this cover of Julian Priester 's and Tommy Turrentine's subtly funky line makes for an auspicious beginning. Still, ...

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Multiple Reviews

Hat Hut Records at Fifty

Read "Hat Hut Records at Fifty" reviewed by John Eyles


The three albums below are some of the ezz-thetics and First Visit album releases that arrived in 2025 adorned with a sticker featuring a large 50 on it plus the explanation, “celebrating 50 years of Hat Hut records." Rewinding fifty years, we find that Hat Hut was founded by Werner X. Uehlinger in 1975, the first Hat Hut release being Black Magic Man by a Joe McPhee quartet which had been recorded live in concert at Vassar College, New York, ...

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In Pictures

The Monday Night Jam at the Seattle Jazz Fellowship

Read "The Monday Night Jam at the Seattle Jazz Fellowship" reviewed by Paul Rauch


Beginning on January 20, 2025, the weekly Monday night jam session at the Seattle Jazz Fellowship became something very different from any session that had historicially taken place in Seattle--it became an extremely popular weekly destination for gen-z patrons in their teens and twenties looking for a place to socialize and dig into an art form they had only recently been made unaware of. While the 7:30 PM session had previously drawn younger musicians from area high school and college ...

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Album Review

Olie Brice: All It Was

Read "All It Was" reviewed by John Sharpe


Bassist Olie Brice convenes an all-star quartet on All It Was, bringing together pianist Alexander Hawkins, saxophonist Rachel Musson, and drummer Will Glaser. The ensemble's chemistry yields music that is both architecturally sound and fiercely spontaneous, balancing Brice's penchant for crafted frameworks with his immersion in the free-improvised tradition. Brice has long navigated the space between structure and freedom--whether in chart-driven ensembles like Loz Speyer's Inner Space and Nick Malcolm's Out Front, or in open trios with Musson, ...

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Radio & Podcasts

The High Society New Orleans Jazz Band, Carmen Bradford, Michika Fukumori, Jonathan Karrant, Franck Amsallem Trio & More

Read "The High Society New Orleans Jazz Band, Carmen Bradford, Michika Fukumori, Jonathan Karrant, Franck Amsallem Trio & More" reviewed by Mary Foster Conklin


This broadcast includes new releases from The High Society New Orleans Jazz Band, Carmen Bradford, Michika Fukumori, Jonathan Karrant and Franck Amsallem, with birthday shoutouts to Jazz Foremother Lovie Austin, Vi Redd, Marlena Shaw, Emily Remler, Catherine Russell, Kait Dunton and Wesla Whitfield, among others, with remembrances for Joyce Breach and Akiko Tsuruga. Happy listening and please support the artists you hear -see them live, buy their music so they can continue to comfort, distract, provoke and remind the world ...

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Live Review

Iron Blossom Festival 2025: Jazzy Enough?

Read "Iron Blossom Festival 2025: Jazzy Enough?" reviewed by Konstantin N. Rega


Iron Blossom Festival Midtown Green Richmond, VA September 20-21, 2025 A quick look at Richmond's relatively new Iron Blossom Festival lineup might give some jazz fans pause. With headliners like Vampire Weekend and The Lumineers, the festival looks to be serving up more indie pop-rock selections for younger audiences to consume. Such hasty or dismissive judgment might serve jazz purists just fine, but for those listeners looking for more fusion, sonic flavors and blends, the ...

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Album Review

Jakob Bro: Live at The Village Vanguard

Read "Live at The Village Vanguard" reviewed by Fran Kursztejn


Legendary guitarist Jakob Bro revitalized the pensive romanticism of the ECM Records sound with last year's Taking Turns, and continues his crusade in Live at the Village Vanguard. His strategy is simple: a diverse cast, both in style and generation, slavishly dedicated to a dynamic trajectory, like a viscous alloy rushing violent in an aged riverbed. In this case, the mold is the enduring memory of Paul Motian, chiefly represented by former band mate Joe Lovano, but haunting even Bro's ...

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Album Review

Gary Bartz & NTU: Damage Control

Read "Damage Control" reviewed by Pierre Giroux


After a 12-year break from the recording studio, legendary saxophonist Gary Bartz makes a powerful return with Damage Control. This deeply personal passion project honors and re-imagines the soul genre. The album showcases Bartz's unwavering curiosity and artistic evolution, transforming soulful classics into meditative, jazz-infused compositions that cross genre boundaries. At the heart of the album's unity is Bartz's core trio, featuring pianist Barney McAll and drummer Kassa Overall. This trio is often joined by a lineup of exceptional musicians ...

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Under the Radar

Eddie Durham: The Jazz Innovator a City Refuses to Forget

Read "Eddie Durham: The Jazz Innovator a City Refuses to Forget" reviewed by Hank Hehmsoth


Eddie Durham's LegacyFew names in jazz carry the quiet weight of Eddie Durham. Born in San Marcos, Texas, in 1906, Durham was a trombonist, guitarist, composer, and arranger whose fingerprints are all over the sound of swing. He was a pioneering electric guitarist--the first to record with the instrument--and a key arranger for Bennie Moten, Jimmie Lunceford, Count Basie, and Glenn Miller. Durham helped shape the Count Basie Orchestra's small-group feel, expanded orchestral voicings in ways that gave the band ...


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