More groove-laden contemporary jazz from Allen Toussaint's NYNO. Amadee Castenell plays a gritty R&B tenor (and flute on "Angels"), backed by a funky ensemble consisting of Toussaint's piano on four tracks, pianist Chuck (not Charlie) Chaplin on three others (he also plays Fender Rhodes on one), the smooth synthesizers of Larry Sieberth, Scott Goudeau on guitar, David Barard on bass (seven tracks), Chris Severin on bass (the other five tracks), Russell Batiste on drums (five tracks), Bernard "Bunchy" Johnson on drums (seven tracks), percussionist Bill Summers (three tracks), and percussionist "Afro" Williams (six tracks).
This disc is well-produced; not one note is out of place. Castenell plays fervently (and delicately when necessary, e.g. "Crystal"). The grooves are ably laid down. Castenell's fundamental problem at this point may be making himself heard in a crowded field where his voice is not yet developed enough to stand out from the crowd. This is no criticism of his ability – he is obviously a first-rate talent. But there are an awful lot of contemporary jazz discs out there now, especially in the wake of the inimitable soprano stylings of Mr. G; Amadee, if he is going to make a splash, will need to distinguish himself more in the future. From the sound of this one, he certainly has the ability to do so.
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!