High Plains Drifter burst forth onto the jam scene like an elephant busting a nut across the Serengeti. This is a solid, concise and well produced debut. High Plains Drifter is led by the funk inflected guitar of the media savvy Jay Cleary, once part of hard working Aaron MacDonald Band. Mixing jam grooves with wild world rhythms, High Plains Drifter has begat a new and exciting combination, somewhat like soft taffy lost in an old lady's hair.
13 Cents opens with the extremely catchy “Ron's Requiem.” This track displays High Plains Drifter’s talent, experience and fresh approach to the jam scene. Ashley Chambers is well versed in the rhythms needed to make the High Plains Drifter experience authentic and James Dalzell fingers the piano with soul as thick as Lanny Macdonald's moustache.
“Well we wanted our JAMS to be... to be more like JELLY," says bassist Carl Laudadio, "We wanted it all to quiver with the heft of a full young breast." Well baby, the beats are tight, the grooves kicking, the soul is as slick as new phlegm and the musicianship alive. The sax sounds of Nick Fisher on this album are another highlight. “Funky Zucchini” has a melody line which will have patrons lining up for this sassy garden staple and the extra performance tracks... These cats are here to make you groove like a vegematic.
Track Listing: Friki; The Funky Zucchini; Ron Requiem. CD Rom: Live Performance Medley
Personnel: Jay Cleary (electric guitar, vocals), Ashley Chalmers (percussion), James Dalzell (keyboards), Nick Fisher (saxophones)
and Carl Laudadio (bass, vocals.)
I was first exposed to jazz as a baby. When I was a child, my parents regularly played classic jazz, i.e., Fitzgerald, Hawkins, Holiday, Davis, Coltrane, Monk, Montgomery, Silver, etc. I vividly remember sitting in front of the stereo as a kid, rocking back and forth to jazz, so the music is embedded in me
I was first exposed to jazz as a baby. When I was a child, my parents regularly played classic jazz, i.e., Fitzgerald, Hawkins, Holiday, Davis, Coltrane, Monk, Montgomery, Silver, etc. I vividly remember sitting in front of the stereo as a kid, rocking back and forth to jazz, so the music is embedded in me. As a life-long jazz lover, I eventually became a jazz educator and producer/host of a very popular jazz radio program in Los Angeles, California.
I love jazz because it is so free. I can think, feel, and dream to jazz, and it allows my mind to flow and expand, musically and otherwise. I also love jazz because it, much like other forms of music, allows opportunities to bring people from all walks of life together. What makes jazz more significant to me, though, is its historical significance; that is, how jazz served, in part, as a method of bringing communities together, a cultural/social/spiritual conduit.